Top 21 Best Musicals of Each Year (2000-2020)
2000: “Aida”
This was the year that “Contact” (xref) won the Tony for “Best Musical” and Dr. Seuss tried to take on Broadway. It was also the year that Elton John, Tim Rice, and Disney decided to reinterpret Giuseppe Verdi’s opera of the same name for the masses. “Aida” took Broadway by storm with its powerful story and outstanding music. And we’d be remiss not to mention the stirring performances from Heather Headley as Aida, Adam Pascal as Radames, and Sherie René Scott as Amneris. The show won four of its five Tony Award nominations, including “Best Original Score”, and got the Grammy for “Best Musical Show Album”!
2001: “The Producers”
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Did you know that as of 2021, “The Producers” still holds the record for most Tony wins? Originally a 1967 film by Mel Brooks, this adaptation features Nathan Lane and Matthew Broderick as the titular producers. We watch as they set out to stage a flop musical in a zany get-rich-quick scheme. Running for 2,502 performances, musical-theater lovers showed that they enjoyed a good-spirited send-up of the genre. But maybe eccentric ploys, showbiz caricatures, and a musical dedicated to Nazi Germany just isn’t for you. In that case, you could also have seen Jonathan Larson’s “Tick, Tick...Boom!” debut in 2001, or you could’ve danced in the aisles at “Mamma Mia!”
2002: “Hairspray”
In 2002, Marc Shaiman and Scott Wittman gave John Waters’ 1988 film a musical makeover. Inspired by real events, we follow plus-sized teen Tracy Turnblad as she pursues her dream to dance on “The Corny Collins Show.” In the process, she fights back against the racial segregation in 1960s Baltimore. The story is told through dance music and rhythm and blues, and indeed it’s the show’s ability to balance the fun light-hearted numbers with the more poignant moments that still draws in audiences today. Over the years, this multi-award-winning musical has repeatedly thrived both on stage and screen, proving that it’s a timeless classic.
2003: “Wicked”
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When “Wicked” first opened, it defied all expectations to become one of the most popular musicals ever. In fact, it emerged as one of the Gershwin Theatre’s most profitable shows. Another adaptation, this musical is based on Gregory Maguire’s book. Set in Oz, it chronicles the events prior to Dorothy’s trip down the yellow brick road… so that by the time she arrives, we've gained a much deeper understanding of who the witches are. Thanks to its heartwarming story, spellbinding songs, and sensational talent, “Wicked” quickly became a cultural and universal phenomenon. Despite being one of the most celebrated musicals around, however, it lost out on the Tony for “Best Musical”. That honor went to some rather naughty puppets instead!
2004: “Caroline, or Change”
This musical follows Caroline, a Black maid working for a middle-class Jewish family - the Gellmans - in 1960s Louisiana. In a crucial moment, Caroline’s told by her employers that her pay won’t increase, but that she can keep any spare change she finds in 8-year-old Noah’s pockets. But when she finds a twenty, it causes an ethical and financial crisis seeped in racial tension. Jeanine Tesori’s music and Tony Kushner’s book and lyrics come together to tell this tale through a wide range of musical genres, including Blues, Motown, spirituals, and klezmer. Though it had a short run, this Tony-nominated show sure left its mark on the theater world, enticing critics and audiences alike. The proof of its success is that it was recently revived!
2005: “The Color Purple”
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In 2005, the Tony-winning cast of “Spamalot” galloped their way into the Shubert Theatre. That same year, though, the Pulitzer Prize winning novel and 1985 movie “The Color Purple” presented its musical makeover to theater audiences, too. Seen through its protagonist Celie’s eyes, the story follows the trials, tribulations, and eventual triumph of this African-American teenager. Leading lady LaChanze’s moving and powerful performance earned her the 2006 Tony for “Best Actress in a Musical”. The show received a whopping eleven nominations at the prestigious awards, as well, including “Best Musical”. But it was the ever-popular “Jersey Boys” that took that win.
2006: “Spring Awakening”
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This coming-of-age rock musical takes place in late 19th century Germany, and puts a spotlight on typically controversial topics. It explores themes of sexuality, change, rebellion, and the importance of education and self-expression. The story is told through an eclectic soundtrack that perfectly mirrors the confusion and angst of its characters. And you might recognize some of its original cast, which featured Lea Michele, Jonathan Groff, and Skylar Astin. The show’s refreshing honesty was a hit with audiences, and it quickly collected a mass of accolades. Among those were “Best Musical” at the Tonys, “Best New Musical” at the Olivier Awards, and “Best Musical Theater Album” at the Grammys.
2007: “Legally Blonde”
Laurence O’Keefe, Nell Benjamin, and Heather Hach took one of the most quotable movies of the 2000s and set it to music. And “Omigod You Guys”, it was a pink-filled, fun-loving, and high-energy spectacular, with Laura Bell Bundy stepping into Elle’s designer shoes seamlessly. As much as we loved the film, it felt like this story and its characters were destined for the stage. Ironically, the 2001 movie’s iconic “Bend and Snap” scene was originally going to be a full-out musical number! Although the show didn’t win any of the seven Tonys it was nominated for, it did snag the Olivier Award for “Best New Musical”. What, like it’s hard?
2008: “In the Heights”
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Back in 2008, Broadway was introduced to a multi-talented young star named Lin-Manuel Miranda. He started crafting this musical in college, as an ode to the Washington Heights neighborhood close to where he grew up. Combining hip-hop and Latin music, “In The Heights” played to outstanding acclaim and has since been viewed by audiences around the world. It even beat out the rock musical “Passing Strange” for “Best Musical” at the Tony Awards, and this was also the year that “Billy Elliot” transferred to Broadway. But, after Heights’ immense success, it was clear we’d be seeing a lot more of Lin-Manuel Miranda!
2009: “Next to Normal”
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Although it wasn’t the first musical to delve into serious subjects, “Next to Normal” was groundbreaking for the direct way it addressed mental illness. It provided thoughtful insight into the Goodman family’s experiences with grief, bipolar disorder, and psychiatry. The Tony-Award winning score delved further into each character’s psyche, conveying their inner frustration and turmoil. But that isn’t to say the show was devoid of humor. The incredibly talented cast kept audiences gripped with a story that was both stimulating and entertaining. And in 2010, “Next To Normal” won the “Pulitzer Prize for Drama”, which is impressive to say the least.
2010: “Bloody Bloody Andrew Jackson”
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An irreverent comedic rock-drama, this musical offered tongue-in-cheek commentary on political populism. From the minds of Michael Friedman and Alex Timbers, it tells the life story of former U.S. President Andrew Jackson. Of course, there’s a twist. In “Bloody Bloody”, he’s also an emo rocker. Understandably, the production turned a few heads, and not always for the right reasons. It’s portrayal of Native Americans and the “Indian Removal Act” were particularly controversial. Nevertheless, Off-Broadway audiences enjoyed its dark and anarchistic sense of humor. However, the show’s Broadway transfer was arguably less successful, closing after only a few months. Still, there’s no doubt it was memorable.
2011: “The Book of Mormon”
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“Catch Me If You Can” was a strong contender for our 2011 pick. But “The Book of Mormon” truly had audiences queuing up in hopes of scoring a ticket, so it was the obvious choice. Created by Trey Parker and Matt Stone of “South Park” fame, with EGOT winner Robert Lopez, the musical affectionately pokes fun at some of the titular religion’s more peculiar features. In addition to its nine Tonys and one Grammy, the show’s soundtrack also climbed to number three on the Billboard charts. Racking in more than $500 million dollars, “The Book of Mormon” has undoubtedly cemented itself as an iconic production.
2012: “Newsies”
From understated folksy musicals like “Once” to those with mind-blowing choreography like “Newsies”, 2012 certainly kept musical theater fans fed. Based on the 1992 Disney cult-classic, the latter show is a retelling of the New York Newsboys’ Strike of 1899. The story was written by Harvey Fierstein, and features a Tony award-winning score full of both old and new songs by Jack Feldman and Alan Menken. Unlike its movie counterpart, the stage production was an instant hit, proving that there’s nothing quite like live theater. It probably won’t surprise you to learn that “Newsies” also won the Tony for “Best Choreography”. Just look at them go!
2013: “Kinky Boots”
This was the year that “Matilda the Musical” captured our hearts and “A Gentleman’s Guide to Love and Murder” made us laugh. However, it was “Kinky Boots” that had audiences saying “Yeah!” as it strutted onto Broadway. With a book again by Harvey Fierstein and a score by Cyndi Lauper, this show follows an unexpected alliance between Charlie the shoe factory owner and a Drag Queen named Lola. “Kinky Boots” somewhat surprised critics by excelling during award season, even winning the Tony for “Best Musical”. Plus, Lauper’s win for “Best Original Score” that evening made her the first woman to snag the prize by herself. This show was funny, uplifting, and taught us to unapologetically be ourselves. It’s no wonder it’s beloved!
2014: “Aladdin”
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Disney knows how to produce a crowd-pleaser, and the musical adaptation of “Aladdin” was no exception. Filled with the classics, it had the perfect amount of nostalgia for fans of the 1992 flick. However, there were new characters and songs, in addition to some that had previously ended up on the cutting room floor. And in true Disney fashion, this show was chock-full of magical moments. It was practically impossible to watch it without grinning from ear to ear! But still, for audiences after more mature content, 2014 also gave us “The Bridges of Madison County” and “Beautiful: The Carole King Musical”.
2015: “Hamilton”
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Who would’ve thought that a hip-hop musical about a founding father would become such a global phenomenon? In fact, tickets to Lin-Manuel Miranda’s “Hamilton” were like gold dust pretty much anywhere it opened. And it’s easy to see why. Although the story takes place centuries ago, its layered narrative provides a poignant commentary on today’s society. It includes a strong pro-immigration message, and is a beautiful celebration of diversity. Plus, the production’s attention to detail is mind-blowing. Through timely themes, an extraordinary soundtrack, and innovative storytelling, Miranda reinvented musical theatre. “Hamilton” dominated the awards season, and set the record for a musical with the most Tony nominations. And did we mention it won a Pulitzer, too? History definitely has its eyes on this show!
2016: “Dear Evan Hansen”
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This was a bountiful year on Broadway, with the arrival of shows like “Waitress”, “Natasha, Pierre & The Great Comet of 1812” and of course, “Dear Evan Hansen”. Pasek & Paul’s musical, loosely inspired by true events, is about a socially anxious teen who implants himself into a story that isn’t his. Naturally, Ben Platt blew us away as the titular character. What’s more, the show’s score is breathtakingly beautiful. While the story caused some contention, it also promoted very important conversations surrounding mental health. The production’s numerous accolades include six Tony awards - like “Best Musical” and “Best Original Score” - and a Grammy. If you need more Evan Hansen in your life, there’s also the 2021 film adaptation!
2017: “Come From Away”
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As 2017 rolled around, so too did “The Band’s Visit”, “Bandstand”, and “Anastasia". The most memorable Broadway debut of all, though, belonged to “Come From Away”, which shared the moving story of Newfoundlanders helping stranded strangers in the wake of 9/11. Writers Irene Sankoff and David Hein curated over 16,000 stories, and set them to folk music in an effort to share this life-affirming true story with audiences. The show won one of the seven Tonys it was nominated for, and earned multiple Olivier Awards. Told in just 100 minutes with a cast of just 12 actors, this heartwarming musical will make you laugh, cry, and celebrate the very best of humanity.
2018: “The Prom”
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Taking inspiration from the 2010 Itawamba County School District’s prom controversy, this show follows Emma’s fight to attend the dance with her girlfriend. With the help of some washed-up Broadway actors, she campaigns for an inclusive prom. But in her small town, it’s an uphill battle. The musical was well-received by audiences and critics, who enjoyed its energy, as well as its joyous message of acceptance and pride. It also reportedly marked the first time an LGBTQ+ kiss was broadcast during the Macy’s Parade! Broadway also further expanded its audience in 2018, with shows like “Mean Girls”, Disney’s “Frozen”, and the jukebox musical “Head Over Heels”.
2019: “Beetlejuice”
Granted, “Hadestown” was at the helm of this year’s award season. And with “Be More Chill” (xref), Broadway continued to explore a dark side. But this musical - based on Tim Burton’s star-studded black comedy - garnered a huge following, too. The fun and outrageous story is complemented by gripping songs both old and new. Plus, the show boasts an incredibly talented cast, and Hollywood-level special effects! In September 2021 - after its unexpected 2020 closure - it was announced that the Marquis Theatre would bring “Beetlejuice” back for more! And that is great news!
2020: “Six”
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Staged in concert form, “Six” remixes herstory to give Henry VIII’s famous wives a voice. The six queens form a pop group, and compete over who had it worse as they battle it out for the lead spot. The women are modeled after some of our favorite stars, which gives the musical a fun contemporary touch… but when Toby Marlow and Lucy Moss wrote the show in university, they perhaps didn’t imagine that it would one day reign on Broadway. Now that theater is finally back, however, we can’t wait to see productions like “Six” (and “Jagged Little Pill”, another future classic) finally get their chance to thrive.
