Top 50 Iconic Broadway Dance Numbers

#50: “Tap Your Troubles Away”

“Mack & Mabel”

This number is the ultimate flashy solution for when life throws you lemons. In fact, it tap-dances right over those lemons, embodying that classic musical theatre defiance where the show must go on, no matter how stormy the skies. Sure, the original 1974 run didn’t set the box office on fire, but this song’s infectious energy made it a survivor. It’s become a beloved staple for concert halls and cabaret acts, perfectly capturing the escapist magic that makes Broadway feel like a safe haven. Directors love it for its irresistible ability to turn any ensemble into a high-voltage spectacle. If you want a strong dose of Broadway optimism, here it is!

#49: “Six”

“Six”

Carrie-Anne Ingrouille’s choreography is a pop-culture lightning bolt, fusing the energy of a stadium concert with the storytelling heart of musical theatre. Nowhere does this shine brighter than in the finale, “Six.” As the Queens gear up for their final bow, every move cleverly counts down to the curtain, and the choreography is so infectious that even the most reserved audience members can’t help but join in. It’s the Broadway equivalent of a stadium full of fans waving their arms in unison in true communal celebration. It’s unbelievably fun watching an entire theater become part of the show, swept up in the joy of this Queendom and its irresistible Histo-remix.

#48: “Brotherhood of Man”

“How to Succeed in Business Without Really Trying”

This number acts as a sharp, ironic critique of the corporate world. On the surface, “Brotherhood of Man” is about unity and camaraderie, but the choreography tells a different story, one of buttoned-up monotony and the relentless march of the “Company Way.” Watching J. Pierrepont Finch lead the ensemble in their suits and ties, moving with mechanical precision, is as brilliant as it is funny. It delivers both razzle-dazzle and razor-sharp satire, turning the office into a dance floor and the daily grind into a spectacle. Even decades later, it stands out for its ability to turn a sea of executives into a living, dancing commentary on ambition and conformity.

#47: “Who’s That Woman?”

“Follies”

The Mirror Dance in Follies stands as one of Broadway’s most unforgettable moments, demonstrating how stagecraft can hit you right in the heart. The showgirls, now older but still brimming with spirit, launch into a tap routine that once defined their glory days. Suddenly, their younger selves appear behind them, every step and gesture perfectly synchronized, thanks to Michael Bennett’s brilliant choreography. The effect is pure theatrical magic, a living split-screen between the shimmer of youth and the grit of experience. It becomes a love letter to memory, a salute to the ghosts we carry, and a showcase for real Broadway legends who prove, with every beat, that their spark never fades.

#46: “New Money”

“The Great Gatsby”

Led by the young, life-loving Jordan Baker, this number really highlights the clash between the polished “old money” crowd and the chaotic, unpredictable energy of Gatsby’s new money world, with fast, flashy choreography that beautifully reflects the lifestyle of this class. Dominique Kelly’s choreography pulls from Jazz Age movement, using sharp lines, Charleston-inspired footwork, and all the glitzy showmanship you’d expect from Gatsby, while also mixing in the punchy, rhythmic energy of modern TikTok choreography. The result feels fresh and instantly recognizable, and indeed, soon after the show premiered, the choreography exploded online, turning into a viral sensation! Needless to say, it’s become one of the production’s most unforgettable cultural moments.

#45: “Can Can”

“La Cage aux Folles”

In pretty much any context, the Can Can is an impressive dance. Yes, it’s highly technical, rigorous, and disciplined, but perhaps more importantly, it allows the dancer to express themselves unapologetically. Historically, it represents female emancipation and provocation, a way for women to reclaim their bodies and challenge bourgeois morality. So in this context, we get something of a double subversion, or a double act of defiance, if you will. It echoes the show’s message that gender, like a costume or a dance step, is something you can play with and own. If “I Am What I Am” could leap off the page and become a dance, it would be this.

#44: “Le Jazz Hot”

“Victoria/ Victoria”

This number and its choreography are joined at the hip. The nightclub debut scene hinges on the dancers selling the illusion that “Victor” is a real star, and the choreography absolutely delivers that in spades. Every move oozes Jazz Age glamour, with the ensemble working like a well-oiled cabaret machine. The 1930s elegance is front and center, but there’s also a sense of playful command as the lead takes charge of the stage. It’s no wonder this number has become the gold standard for high-energy, cabaret-style Broadway showstoppers. If you want to see how music and movement can tell a story, this is the one to watch.

#43: “Forget About the Boy”

“Thoroughly Modern Millie”

Is there any better cure for heartbreak than dancing it out? Millie might claim she’s over Jimmy, but the choreography tells a different story, one that’s bursting with Roaring Twenties jazz, lightning-fast tap, and the relentless rhythm of office life. Rob Ashford’s Tony-winning moves are a masterclass in ensemble precision, turning a chorus of stenographers into a tap-dancing army. The athleticism is jaw-dropping, but what really makes this number shine is how it transforms Millie’s intimate pain into a bold, defiant anthem of independence. Sutton Foster’s performance is the stuff of Broadway legend, and this number’s infectious joy has kept it at the top of every musical theatre fan’s playlist ever since.

#42: “Friend Like Me”

“Aladdin”

If you’ve ever wished for a showstopper that delivers pure Broadway magic, “Friend Like Me” is the Genie’s ultimate gift. This number lights up the stage with a full-blown, high-octane spectacle packed with humor, rapid-fire choreography, and visual fireworks at every turn. Casey Nicholaw’s direction is a love letter to the golden age of movie musicals, channeling the spirit of Busby Berkeley’s legendary, kaleidoscopic dance extravaganzas from classics like “42nd Street.” The result is a stage bursting with synchronized movement, larger-than-life energy, and a sense of dazzling excess that feels like a wish granted right before our eyes. It certainly brings new meaning to the word animated!

#41: “Masquerade”

“The Phantom of the Opera”

“Masquerade” is a Broadway spectacle at its most jaw-dropping, a shimmering time capsule of 1980s theatricality that still leaves audiences breathless. Gillian Lynne’s choreography turns the ensemble into a living, breathing music box, every movement precise, every gesture loaded with meaning. The Grand Staircase becomes the setting for the climax of the dance, with everyone united by color and pageantry. But beneath the glittering masks and swirling gowns, there’s a haunting emptiness, a sense that this is a society dancing on the edge of something dark. When the Phantom crashes the party, the scene pivots from fantasy to nightmare, highlighting the show’s emotional heart in a breathtaking display.

#40: “Everybody Say Yeah”

“Kinky Boots”

How many Broadway numbers have actually inspired fans to hit the gym? “Everybody Say Yeah” might just be one of them. The Act One finale is legendary for its high-wire choreography, conveyor belts, sky-high heels, and all. Watching the cast keep perfect time and character while gliding across moving platforms is an incredible feat of coordination, not to mention nerves of steel. This number marks a turning point for the factory crew, as their synchronized dance becomes a celebration of newfound confidence and possibility. It’s the ultimate feel-good moment, proving that with a little courage (and a killer pair of boots), you really can strut your way to a brighter future.

#39: “Along Came Bialy”

“The Producers”

Only on Broadway could a chorus line of little old ladies with walkers bring down the house. Susan Stroman flips expectations on their head, turning everyday walkers into tap-dancing, high-flying chorus girls. The ensemble’s pinpoint-precise timing and fearless athleticism transform what could have been a throwaway gag into a full-blown, high-energy celebration of Mel Brooks’ irreverent humor. Every leap, tap, and pivot is a wink to the audience, a reminder that Broadway can find joy and spectacle in the most unexpected places. It’s a love letter to showbiz itself, proving that with the right choreography, even the most ordinary props can become the stuff of musical theatre legend.

#38: “Shaking the Blues Away”

“Holiday Inn”

Talk about a showstopper! “Shaking the Blues Away” is a jaw-dropping mashup of tap dancing and lightning-fast jump rope, demanding stamina and precision that would make any athlete sweat. The choreography is so dazzling, you’ll find yourself asking, “How are they even doing that?” Performers must keep perfect rhythm while skipping rope at breakneck speed, turning a classic Irving Berlin tune into a full-blown athletic spectacle. This number is so much more than just a nod to golden-age musical theater; it’s a modern centerpiece that shows off just how far Broadway dancers can push the limits. Every time we watch, it’s impossible not to feel our own blues melt away.

#37: “It’s a Hard Knock Life”

“Annie”

Speaking of dancing through misery… who hasn’t at least hummed this tune while doing chores we’d rather avoid? The choreography uses cleaning appliances as instruments, creating a rhythmic and bold display of survival that transforms the orphans’ misery into rebellion. What makes the number so memorable is the sharp, synchronized movement and a strong contrast: the lyrics talk about neglect, but the energetic performance shows the children's resilience. It sets the tone for the show, turning a bleak setting into a celebration of youthful spirit. Its lasting impact and huge pop-culture influence have made it a Broadway classic that tells a story of character, struggle, and defiance through movement.

#36: “Backstage Romance”

“Moulin Rouge! The Musical.”

If you want to see how to kick off Act Two with a bang, look no further than “Backstage Romance.” Sonya Tayeh’s Tony-winning choreography is a high-voltage jolt, overflowingly intense and athletic, not to mention unapologetically seductive. The dancers attack every move with fiery passion and iron-crisp precision, channeling the story’s themes of love and danger. You can practically feel the adrenaline and exhaustion radiating off the stage, pulling the audience right into the action. This number is a marathon! A full-body experience, and a lengthy one at that, that resets the show’s bohemian fever pitch and proves why “Moulin Rouge!” became the hottest ticket in town.

#35: “The Waiters' Gallop”

“Hello, Dolly!”

The Harmonia Gardens scene is what Broadway dreams are made of, and the waiters’ dance is the cherry on top. Every staff member moves with such crisp timing and flair that it feels like the restaurant is putting on a show just for Dolly. Gower Champion’s direction and choreography turn every entrance, every spin, into a perfectly timed punchline or gasp-worthy moment. You don’t put on a dance like this just to fill time! But it perfectly builds anticipation, making Dolly’s grand entrance feel like the event of the season. This number is unforgettable because it blends elegance, comedy, and showbiz polish into one dazzling package.

#34: “A Lot of Livin’ to Do”

“Bye Bye Birdie”

When this dance was first staged, it changed the way dance could look on stage. Instead of the usual polished Broadway jazz, Gower Champion used loose, rebellious rock-and-roll moves that captured the wild energy of 1950s youth. On stage, the number feels like a burst of excitement, with the ensemble moving together as one restless group. Dancers will sometimes perform right at the edge of the stage, breaking the barrier between them and the audience, so everyone could feel the clash between strict small-town rules and teen freedom. This number is still known as a tough challenge, demanding that performers stay spontaneous and raw while keeping up with fast, precise moves.

#33: “Our Favorite Son”

“The Will Rogers Follies”

If you want to see Broadway dancers pushed to their absolute limits, “Our Favorite Son” is the number to watch. Tommy Tune’s 1991 choreography is legendary for a reason: it’s a rapid-fire, hand-and-foot extravaganza that demands split-second precision and superhuman teamwork. The intricate patterns are so complex, they’ve become a rite of passage for any ensemble brave enough to tackle them. As the centerpiece of a Tony-winning show, this number channels the glitz of the Ziegfeld Follies and cranks it up for the 90s. With its dizzying speed and showbiz flair, it’s no wonder this dance remains a gold standard for Broadway pros everywhere.

#32: “Manson Trio”

“Pippin”

If you want to see Bob Fosse’s genius distilled into a single, unforgettable moment, look no further. With its turned-in knees, signature Fosse angles, and hypnotic isolations, this number is cool, controlled, and just a little bit dangerous. The choreography pairs a breezy, vaudeville-inspired soft-shoe with the grim reality of war, creating a jarring, unforgettable contrast. The Leading Player oozes charisma and menace, pulling the ensemble (and the audience) into a world where entertainment and manipulation go hand in hand. Unlike the inviting “Magic to Do,” this sequence is a wake-up call, exposing the dark side of spectacle and forcing us to question what we’re really applauding.

#31: “Shipoopi”

“The Music Man”

Who knew a nonsense word like “Shapoopi” could become the pulse of an entire town? This number is the moment River City lets loose, trading in its buttoned-up reserve for pure, collective joy. The choreography is a high-stepping, Cakewalk-inspired marvel, blending period style with infectious character energy. Suddenly, a town full of skeptics is transformed into a single, toe-tapping ensemble, all moving in perfect sync. It’s a show-stopper that proves just how powerful music and dance can be in bringing people together. “Shapoopi” isn’t just a highlight of “The Music Man,” it’s a mid-century Broadway classic that reminds us that anyone can find their groove when the right song comes along.

#30: “Steam Heat”

“The Pajama Game”

In this musical about labor tensions and romance at a pajama factory, “Steam Heat,” choreographed by then-newbie Bob Fosse, stands out as one of its most showstopping moments. Fosse’s signature style (bowler hats and all) is on full display, perfectly syncing the moves with the workers’ frustrations. Sure, the dance momentarily pulls us away from the plot, yet this shift still seamlessly blends with the storyline. With each sharp, almost mechanical step, the dancers embody the workers’ sense of being mere cogs in the production line. Yet, the more they get into the dance, the more they become one with the rhythm, marking an important transition in the mindset of the employees.

#29: “Whipped Into Shape”

“Legally Blonde: The Musical”

Jump ropes at the ready! Act two opens on exhibit A: Brooke Wyndham’s exercise video. We don’t think Brooke stops moving for even a second for most of the number. Still, of course, the most impressive part is the incredible synchronized jump rope-ography. Seriously, how do they keep up that energy level and still have enough breath to sing? Unbelievable! As we transition to the correctional facility, the steps only become more demanding; Jerry Mitchell sure whipped this cast into shape! His choreography is pure genius, pushing the cast to new heights of creativity and athleticism. In fact, we find him and the entire ensemble guilty of blowing our minds!

#28: “Born To Hand Jive”

“Grease”

This number begins innocently enough with the high schoolers performing the titular hand jive— what would have been a viral dance in the 50s if they had social media back then. It comprises basic hand gestures anyone can do, whether front and center on the dance floor or sitting in the bleachers. However, the next portion, though still pretty iconic, looks like it was choreographed by a group of raging teenage hormones. Perhaps this number is best remembered for Sandy and Danny's dance floor takeover and how Cha-Cha abruptly commandeers it. Yes, there's plenty of drama on the dance floor, but the energy is electric, and we're here for it.

#27: “A Brand New Day”

“The Wiz”

No stage adaptation of “The Wiz” can hit the mark without tipping its hat to Louis Johnson’s unforgettable choreography from the 1978 movie. Seriously, that infectious, joyous beat will get you on your feet faster than Dorothy can throw a bucket of water over Evillene. Yep, that’s the scene. Dorothy just knocked out the Wicked Witch, and now it’s time for some celebration. With a blend of funk, soul, gospel, disco, and a dash of musical theater magic, “Brand New Day” captures the sheer joy and hope of our characters as they embrace a fresh start. If you’re not up and dancing along by the end, are you sure you were even watching?

#26: “We’ll Take a Glass Together”

“Grand Hotel”

Welcome to the Grand Hotel, where the 1920s roar with the hustle and bustle of its wealthy patrons. In this electrifying number, Otto Kringelein and Baron Felix Von Gaigern revel in Otto's newfound stock market success, thanks to the Baron's guidance. The choreography perfectly captures the whimsy of the scene. Michael Jeter's portrayal of Otto in the Original 1989 Broadway cast remains iconic. The way he throws himself into the dance is nothing short of breathtaking. His legs seem to defy gravity, dancing in a way that looks almost otherworldly. While there have been numerous renditions of this dance over the years, this is the one etched into our memories.

#25: “Too Darn Hot”

“Kiss Me, Kate”

An unforgettable rendition of this number must be scorching hot—Hanya Holm’s original choreography practically demands it. Warren Carlyle’s 2019 choreo is also noteworthy for the amazing way it tells a whole second story just through dance moves. In most versions, the dance builds up like a pressure cooker, just heating up more and more as the music picks up. When it finally lets loose with that dance break, it’s like the lid coming off and all that built-up energy bursting out. Trust us, it’s one fiery performance! Can someone turn up the A.C.? Or better yet, get us a fire extinguisher because this dance is just “Too Darn Hot!”

#24: “Singin’ in the Rain”

“Singin’ in the Rain”

Gene Kelly’s iconic choreography from the classic 1952 film sets the bar high! So naturally, any stage adaptation will want to pay homage to it. Just because it’s live theater, don’t think there won’t be any thrashing about in puddles or plenty of singin’ and dancin’ in the rain. Like Kelly’s Don, the stage actors exude childlike joy, blending jazzy and balletic moves. It’s almost like seeing the film scene come to life on stage. The ensemble then floods the stage with a joyous routine, complete with more umbrella-ography. You’ll want a front-row seat to soak up all its glory; just don’t forget your raincoat; you’ll thank us later.

#23: “Revolting Children”

“Matilda the Musical”

Once Miss Trunchbull has been run out of school, all eyes turn to “Revolting Children.” The choreography brilliantly captures the song’s rebellious spirit as the kids reclaim their power and declare war on anyone who dares cross them again. Peter Darling’s choreography, full of sharp and snappy moves with a hint of Broadway flair, fits the lyrics like pieces of a puzzle. The performance’s energy is so infectious it feels like it’s calling out to us to join the revolt! It’s no wonder Darling’s talent got him noticed by multiple award academies and earned him an Olivier award. He also choreographed the film adaptation, which sparked a viral TikTok trend.

#22: “Hot Honey Rag”

“Chicago”

“Hot Honey Rag” closes “Chicago” with a bang. The choreography screams Bob Fosse with its sharp angles, intricate isolations, and smooth transitions; all wrapped up in that classic flapper style. Visually, it’s just stunning and instantly recognizable. Plus, the playful, flirtatious vibe between the characters really adds to the charm. “Hot Honey Rag” has been performed countless times both on stage and in the 2002 film adaptation. Each rendition brings its own edge, but the core elements remain the same. It’s feisty, sexy, graceful, and just a joy to watch. The dancers make it look so effortless that we want to grab a friend and jump right in.

#21: “The Time Warp”

“The Rocky Horror Show”

If we said: “It’s just jump to the left,” you’d probably respond, “and just a step to the right.” Yep, few show tunes achieve the status of a cultural phenomenon quite like this one. While mastering most routines on this list seems like a far-off dream, this one demands nothing more than knowing your left from your right. Plus, the lyrics provide all the instructions you need. In fact, during film screenings and live performances, audiences are encouraged to get up and dance along. It’s all just a quirky, playful, and over-the-top bit of fun and a hilarious send-up of similarly themed tracks. We don’t think we’ll ever tire of doing “the Time Warp again.”

#20: “The Room Where It Happens”

“Hamilton”

Every generation has its groundbreaking musical. In the 2010s, that was “Hamilton.” A significant part of its legacy is owed to choreographer Andy Blankenbuehler. When he reinterpreted Lin-Manuel Miranda’s words as movement, the results were magnetic. If you watch the ensemble during “Yorktown,” you’ll see that their actions narrate the story and the lyrics. Blankenbuehler also divulged that “The Room Where It Happens” was one of the more challenging numbers. However it was his favorite, and it’s not hard to see why. It's one of the show's jazzier numbers and a total showstopper that sets the tone for the remainder of the story and Burr’s mindset. Watching these dances in “The Room Where It Happens” is an unrivaled experience.

#19: “Turkey Lurkey Time”

“Promises, Promises”

Originally choreographed by Michael Bennett, this underrated gem takes place at the office holiday party where three employees perform for their colleagues. It was a late addition to the production after their initial act one finale flopped during the out-of-town tryouts in Boston. Bennett reworked the number into this fun, high-energy routine that really keeps its performers and the audience on their toes. Apparently, it was quite challenging to learn, thanks partly to its ever-quickening pace. But the performers dance with such vigor and joy that you’d never be able to tell how difficult it was. It was fun, silly, cheeky, and jaw-dropping all at once. The number more than earned its status as an iconic Broadway dance.

#18: “You Can't Stop the Beat”

“Hairspray”

“You Can’t Stop the Beat” is undoubtedly among musical theater’s most joy-inducing, uplifting, and rambunctious finales. It marks the time where the whole cast comes together to celebrate a new era, togetherness, and acceptance. Strong messages like that certainly deserve cheerful choreography that goes harder than many other finales. As more people join the dance, the scene becomes bigger, bolder, and even more beautiful. Seeing the ensemble unite to bring the number home is so satisfying and utterly thrilling. You know a dance is extraordinary if even the Von Tussles can’t resist joining in. We can’t make it through this scene without grinning from ear to ear. Now, that’s how you end a show.

#17: “Electricity”

“Billy Elliot”

This coming-of-age musical about a young kid who discovers his love of dance more than delivers on unforgettable dance sequences. Billy’s “Angry Dance” is incredibly powerful. Additionally, his “Expressing Yourself” duet with Michael is joyous. However, the elegant, graceful, and gravity-defying “Electricity” is in a league of its own. Billy combines ballet with gymnastics to relay just how much dancing means to him. That sentiment bursts out of each step and every backflip. Throughout the daring routine, the performer is pushed both physically and emotionally. Billy’s passion for the art form leaves us with chills and a desire to pick up a pair of dance shoes and experience that "Electricity" for ourselves.

#16: “Slap That Bass”

“Crazy For You”

Is there anything better than a dance number inspired by the treasured golden age of musicals? That’s exactly what choreographers like Susan Stroman give us whenever shows like “Crazy For You” come back into our lives. While we could name several favorites, “Slap That Bass” is arguably one of the most astonishing and impressive numbers of them all. The title refers to a popular style of music from the early 20th century. However, the performers take things a step further by embodying the instruments. The playfulness and the commitment to the movement puts us in a good mood every time. This creative and high energy choreography truly slaps

#15: “Shall We Dance”

“The King and I”

Pop quiz: what are the counts for a Polka? If you said “one, two, three, and” you’re probably a big fan of this show. For many musical theater fans, we can’t hear this song without filling in those counts. “Shall We Dance” marks a new step in Anna’s relationship with the King. Each of them explains exactly what romance means to them. As Anna teaches the King to dance, you can feel the sense that they’re growing closer to each other than ever. It seems like they cover every millimeter of the stage as they glide around together. The upbeat melody, fast-paced steps, and the rising romantic tension make this one of musical theatre’s most recognizable dance moments.

#14: “Big Spender”

“Sweet Charity”

Less is more with Bob Fosse and nothing shows that more than this number from “Sweet Charity.” In this “Sweet Charity” scene, the dance hostesses are trying to entice their clients and every tiny isolation speaks volumes. The song is set to a slow beat, which is meant to give us a strip tease vibe and every tiny movement draws us in closer and closer, and after all, isn’t that the point? There are also moments where everything speeds up and our hearts race even faster. By the end of the song, you just might feel like a million bucks— just in time to enjoy “Rich Man’s Frug” with New York’s elite at the Pompeii Club.

#13: “Laurey Makes Up Her Mind” [AKA The Dream Ballet]

“Oklahoma!”

Did you know that this number may have inspired the Dream Ballet motif itself? Talk about setting the bar high! In “Oklahoma!”, this extended sequence follows Laurey as she grapples with being caught in a complicated love triangle. It’s a visual masterpiece that highlights the incredible talents of its performers while taking the audience on an emotional rollercoaster. The provocative piece is visually stunning and tragically heartbreaking. Even during its darkest moments, we can’t help but lean forward to ensure we don’t miss any of it. It’s one of the genre’s most affecting moments. Who knew that something so haunting and nightmarish could also be so beautiful?

#12: “Mein Herr”

“Cabaret”

Since Bob Fosse is a bonafide dance legend, narrowing down his most iconic routines is nearly impossible. But “Mein Herr” from “Cabaret” is arguably one of his most striking masterpieces. The isolations are breathtaking, the use of chairs is ingenious, and the way he plays with the tempo is stunning. Plus, the core strength required for some of those more awkward positions is insane. The dance celebrates female empowerment by having every single performer own the sensual number with confidence. Fosse was never afraid to experiment or push the envelope when it came to crafting his now world-renowned choreography. Years later, we’re still blown away by the results! It’s so hypnotic, and we’re definitely not “better off without [it].”

#11: “The Barn Dance”

“Seven Brides for Seven Brothers”

Anyone with a penchant for golden age musicals is probably a huge fan of this dance. The spectacular version from the movie is definitely worth highlighting. But at the end of the day, there’s nothing quite like seeing this dance battle play out live on stage. This is partner dancing at its finest! The explosive choreography is ambitious and requires the utmost trust between the pairs. To make things more complicated, the female dancers switch partners throughout. Not only do you have to be a stellar dancer, but the stamina, athleticism, and flexibility required are next level. This timeless number still continues to stun today.

#10: Ballet Sequence

“An American in Paris”

You could hardly make a list about iconic Broadway dances without dedicating at least one entry to the work of Gene Kelly, dance extraordinaire! Not only did he star in the 1951 Best Picture-winner that inspired this stage musical, but he choreographed the film’s elegant, 17-minute long climax. The dance combines modern ballet with the classic choreography of the glamourous Hollywood golden age, retelling the story of Lise and Jerry’s tumultuous relationship set to the backdrop of 1940s Paris. Not only is this dance iconic, but without it most of our entries wouldn’t even exist - and luckily for us, it made it into the 21st century Broadway version that was adapted from the film by Christopher Wheeldon as well.

#9: “Anything Goes”

“Anything Goes”

Imagine if all of high society shared gossip with a side of energetic tap dance. This number playfully pokes fun at various scandals from the Depression era. Since it has such a catchy melody, we’re practically compelled to tap our toes. The ensemble, led by Nightclub singer Reno Sweeney, launches into an animated dance break that rocks harder than a ship on a stormy night. The leading actress is also expected to still have enough breath to keep dancing and belt out those money notes. While you’ll need to be in top form to pull this one off, success means you’re part of a total showstopper that has rightfully gone down in Broadway history.

#8: “The Jellicle Ball”

“Cats”

“Cats” is one of the longest-running Broadway musicals, which might come as a surprise considering it’s approximately two hours of people slinking around the stage pretending to be, well, cats. The late great Gillian Lynne definitely wasn’t kittening around when she choreographed this difficult stage routine, which is a pawsitively meowvarlous piece that comes towards the end of the first act. We’d apologize for all the puns, but we’d have been barking to miss this purrfect opportunity.

#7: “Step in Time”

“Mary Poppins”

A song that uses its lyrics as choreography is practically begging you to get up and join in, but when you realize it’s actually about 10 minutes of vigorous choreography, you may want to leave it to the pros. However, it’s incredible to think that Dick Van Dyke pulled off this high stamina routine with no dance background whatsoever. It’s a lively piece that’s both magical on stage and on screen. While we’re all out of breath just watching the chimney sweeps, Mary Poppins takes center stage to show everyone how it’s done.

#6: “Seize the Day”

“Newsies”

It’s certainly impressive watching the cast do their flips and tricks all over the stage. Fans of the show will be thrilled to know that the show’s choreographer, Christopher Gattelli, released a less acrobatic version of the routine so anyone can get up and dance - although, you’ll still need quite a bit of room. At this point in the show, the Newsies have decided to take a stand and their highly energetic routines reflect their determination to make the world realize that they’re here to stay and ready to ‘Seize the Day’.

#5: “Audition”

“42nd Street”

This is classic Broadway at its finest. The curtain only rises a little as the show begins, but it’s enough to get our attention. First, we see the dancers’ feet, then legs and so on until you get the full glitz and glamor of Broadway. Once the curtain is up, we’re whisked away to the world of auditions where everyone is dancing their hearts out. Watching these performers dance in unison is stunning and the sound of tap shoes hitting the stage in perfect precision is just so satisfying.

#4: “The Bottle Dance”

“Fiddler on the Roof”

Although some may assume this is a traditional Jewish folk dance, it actually stemmed from the mind of choreographer and director Jerome Robbins. As research for the show, he attended Jewish weddings and festivals and found the way the men danced rather fascinating. One man in particular was mimicking a drunk person with a bottle on his head. This caught Robbins’ eye, which ended up inspiring his choreography. The dance requires incredible levels of precision and perfect unison almost makes you want to try it out for yourself.

#3: “Cell Block Tango”

“Chicago”

“All That Jazz” perfectly sets up the musical’s tone. However, “Chicago’s” big showstopper is hands down “Cell Block Tango.” During the number, the six merry murderesses of the Cook County Jail recount the events that landed them behind bars. They do so with some of the most sultry and powerful choreography to ever hit the stage. While every woman gets her chance to shine, the moment they all come together is the embodiment of empowerment. Of course, thanks to the magic of cinema, the 2002 film version took this to a class of its own. But, without its stage predecessors and Fosse’s one-of-a-kind choreography, that would’ve never been possible. We can’t be the only ones who dreamt of appearing in this number, right?

#2: “The Dance at the Gym”

“West Side Story”

We’re straight away introduced to the Sharks and the Jets in the Prologue, with its stunning ballet-like choreography where dance is used to represent gang rivalry. Later, however, the adults hope to end the rivalry with a dance, but the only people it brings together are Tony and Maria. It soon turns into a huge dance-off and we’re all for it. It’s colorful, it’s energetic, and if it doesn’t make you want to mambo then we suggest you go re-watch it when you’re done with this video. But that isn’t the only high energy number we love from the show. The sharks and their friends more than deliver in the iconic “America” dance scene too. Indeed, Jerome Robbins did a phenomenal job with every number, making each moment look effortlessly “Cool.”

#1: “One” (Reprise)

“A Chorus Line”

From the opening scene, “A Chorus Line” promises the finest dance sequences filled with passion, vigor and ambitious choreography we’d never dare to try. And, the show-stopper finale is indeed a singular sensation and a thrilling combination too. We feel like we know these performers well by this point in the show. But now they’re all dressed alike and moving in unison as one chorus line. The director, Michael Bennett, hoped that audiences would leave feeling like these people deserved more than the chorus line.As we watch those famous high kicks as the show comes to a close, they may be supporting actors to that audience, but to us they’ll always be the stars.

If tomorrow you woke up with the skills of a Broadway dancer, which ensemble are you joining? Let us know in the comments.