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Top 30 Best TV Shows of the Century (So Far)

Top 30 Best TV Shows of the Century (So Far)
VOICE OVER: Rebecca Brayton WRITTEN BY: Izhan Arif
The small screen really is a treasure trove! Welcome to WatchMojo, and today we're counting down our picks for the greatest television shows that have aired episodes in the 21st century. Our countdown includes shows “Sons of Anarchy”, “Stranger Things”, “Barry” and more!

Welcome to WatchMojo, and today we’re counting down our picks for the greatest television shows that have aired episodes in the 21st century. We will only be including scripted shows, so reality TV, talk shows, and animation will not be included. What’s your favorite show from this century? Share your love for it in the comments!

#30: “Fargo” (2014-)

Based on the 1996 movie of the same name, the anthology series “Fargo” always finds new stories to mine in the American Midwest. With a format like that it may seem like a challenge to get invested, but it’s hardly a problem here. Each season, the show commands your attention and care for the characters and the mysteries that surround them. By mixing small-town settings and grander themes and ideas, “Fargo” levels up its storytelling. If you think it’s just a show about crimes, then you’ve got another thing coming. It’s a funny, dark, and surreal series that is sure to show you a good time, dontcha know.

#29: “Veep” (2012-19)

Being the Vice President isn’t all its cracked up to be. “Veep” is a hilarious comedy that racked up multiple Emmy wins, and for plenty of good reasons. It pokes fun at politics, doesn’t pull its punches with most of its jokes, and features a cast filled with icons lead by Julia Louis-Dreyfus. To say that this show’s characters are colorful would feel like an understatement. While Selina Meyer chases her presidential ambitions, falls into the much of political games, and navigates her personal life, the audience just gets to laugh along.

#28: “The Handmaid’s Tale” (2017-)


An adaptation of Margaret Atwood’s 1985 novel, “The Handmaid’s Tale” is a story set in a horrific dystopia. In Gilead, the totalitarian government rules with an iron fist of theocracy. Many women are unable to give birth, and ones who are have been forced into a bleak life as handmaids. This is a series that does not flinch in its inspection of subjects like gender roles and abuse. But while it can be a tough watch at times, it was praised as being vivid, meticulous, and visually stunning. Ultimately, this Emmy-winning drama has a sharp cast and expands on a compelling — if haunting — story to great effect.

#27: “The Marvelous Mrs. Maisel” (2017-23)

This hyper-stylish, award-winning comedy is more than just bells and whistles. After an abrupt split with her husband, Midge Maisel decides to strike it out on her own as a comedian. Set in the 1950s, this series is filled with colorful sets, characters, and stories. It’s a triumphant show with plenty to laugh at and its fair share of tender moments. Rachel Brosnahan takes center stage and is aided by a talented supporting cast, with Alex Borstein in the role of Midge’s manager. Marin Hinkle portrays Midge’s mother Rose, and the legendary Tony Shalhoub plays Midge’s dad Abe. You’re going to be in for a marvelous time with this one.

#26: Chappelle's Show (2003-06)

This is arguably the most important sketch comedy show of all time, not only due to the quality of the show itself, but also for what it represents. “Chappelle’s Show” contained many hilarious, topical, and thematic sketches, and it introduced a host of characters into the pop culture consciousness, like Tyrone Biggums. The skits were smarter, funnier, and certainly more cutting edge than your typical comedy sketches. But it also showcases the merits in artistic integrity and spiritual contentment. Chappelle famously walked away from $50 million, as the stresses of fame, production, and artistic quality had started taking an effect on his mental health. We greatly respect that decision, and besides, you know what they say - “always leave them wanting more.”

#25: “Schitt’s Creek” (2015-20)

When they find out their fortune has been stolen by a once-trusted associate, the tables quickly turn for the Rose family. “Schitt’s Creek” is a show where the rich are forced to give up their wealth and maybe learn a lesson or two along the way. Despite — or in many instances, because of — their quirks, the Rose family quickly endeared themselves to audiences and their new town. Their journey to eventually seeing the dysfunctional Schitt’s Creek as home is a delight to watch. When the show ended in 2020, it set a record for the most Emmys a comedy series had ever won in just one year. Plus, it has some absolute laugh-out-loud moments.

#24: “Sons of Anarchy” (2008-14)

This action-packed drama chronicles the lives of the titular biker gang for seven seasons. It tackles issues of violence, family, masculinity, loyalty, and corruption. Leading the ensemble cast is Charlie Hunnam as Jax Teller. He battles wanting to do right by his family and keeping up the legacy his father created in the Reaper Crew, which leads to a compelling complexity for his character. Critics gave the show favorable reviews, praising the cast and the engaging themes. Strap in, because “Sons of Anarchy” will take you on an unforgettable ride.

#23: “It’s Always Sunny in Philadelphia” (2005-)

There might be only three things that you can be certain of in life: death, taxes, and it always being sunny in Philadelphia. Okay, the consistency of the actual weather might be debatable. But what isn’t is this show’s enduring popularity. The chaotic lives of the Paddy’s Pub gang will simply never leave you bored. Fans have got over a dozen seasons to witness the truly bizarre stories, obsessions, schemes, and arguments of Dennis, Dee, Mac, Charlie, and Frank. “It’s Always Sunny” is a weird show, but sometimes the most enjoyable ones are those that venture far off the beaten path.

#22: “The Bear” (2022-)

Carmy Berzatto is an award-winning chef, but he finds himself back at his family’s sandwich shop after a family tragedy. It’s a straightforward but gripping premise. “The Bear” gives viewers an up-close and sometimes traumatic look into both running a restaurant and dealing with serious unresolved issues. Besides the subject matter, the show is elevated by the performances from its talented actors. This show just wouldn’t hit the same without Jeremy Allen White, Ebon Moss-Bachrach, and Ayo Edebiri at the forefront. All three have gone on to win major awards for their portrayals of these compelling characters. FX definitely dished out a winner with “The Bear.”

#21: “The Good Place” (2016-20)

“The Good Place” shares a lot in common with “Six Feet Under,” only it’s lighthearted and hilarious instead of relentlessly soul-crushing. This is creator Michael Schur’s third show, following the acclaimed “Parks and Recreation” and “Brooklyn Nine-Nine.” And it is arguably the best of the bunch. It contains their signature rapid fire wit and cuddly warmth, but it also explores deeper themes about the human condition. It has taken philosophical inspiration from numerous sources, including Aristotle, Jonathan Dancy, and Immanuel Kant, as well as Sartre’s existential play “No Exit.” It was one of the smartest, funniest, and surprisingly humane sitcoms of the decade.

#20: “Stranger Things” (2016-)

Netflix’s flagship series “Stranger Things” transported audiences to Hawkins, Indiana for classic sci fi horror and more 80s references than you can shake a stick at. Steeped in the works of Steven Spielberg, Stephen King, John Carpenter, and other genre masters, the Duffer Brothers’ series gained an instant following and quickly became a cultural phenomenon. It also managed to kickstart and reinvigorate several acting careers, and pick up plenty of accolades along the way - including 5 Primetime Emmy wins and 4 Golden Globe nominations. With its wonderful cast and a story that feels both new and familiar at the same time, it’s a show that consistently provides just about the most fun you can have in front of a TV.

#19: “Six Feet Under” (2001-05)

This show has to be one of the most relentlessly morose yet weirdly uplifting things ever put on television. It primarily deals with human mortality and the pain, ambiguity, and philosophical quandaries that it represents. The plot follows the proprietors of a funeral home and their interactions with each other and the grieving people who walk through their doors. It explores many heavy and dense themes concerning mortality, and it certainly isn’t afraid to mine the absolute depths of human pain and suffering. That said, it also finds time for contentment and tranquility, and its brilliant finale remains one of the most beautiful and soul-soothing episodes ever aired on TV.

#18: “Barry” (2018-23)

Well, this isn’t QUITE what we expected from Bill Hader, but alright! “Barry” is Hader’s comedy-drama, and it follows the titular Barry, a hitman who wants nothing more than to leave his criminal past behind and become a full-time actor. The show shares a lot in common with “Breaking Bad,” as it contains similar themes and tones, not to mention the whole idea of a man hiding his true identity from those who are closest to him. Of course, this is also much, much funnier than “Breaking Bad” ever was, given it's more a dark comedy than a drama. It’s also packed with incredible actors, including Emmy-winning performances from Hader and Henry Winkler. It comes highly recommended.

#17: “30 Rock” (2006-13)

Despite receiving consistent praise, and even being named one of the best-written shows of all time by the Writers Guild of America, “30 Rock” significantly struggled in the ratings. It’s a shame, because it deserves to be seen by as many people as possible. The show is lightly adapted from Tina Fey’s experiences working on “Saturday Night Live,” and it follows the cast, crew, and corporate overlords of a similar sketch comedy program. “30 Rock” drew consistent praise for its production values, razor-sharp and rapid-fire writing, and the performances of its cast. It made careers, it revitalized careers, and the writing amazed viewers with just how smart, fast, and hilarious it could be. It’s a comedy masterclass.

#16: “The West Wing” (1999-2006)

“Veep” might hold the political comedy crown for some, but “The West Wing” is iconic for a reason. The show is centered around the fictional US President Jed Bartlet and the tight knit group who make up his cabinet. It’s a more idealistic look at politics with a cast of quirky characters and snappy writing. After all, only someone like Aaron Sorkin can make people walking down a hallway and talking feel like must-see TV. And with captivating storylines and characters you’re bound to connect to, “West Wing” has got our vote.

#15: “Deadwood” (2004-06)

“Deadwood” tells the sort of true, sort of made up story of...well, Deadwood, a small town in South Dakota. The series charts a path through the town’s rough and tumble, not-quite-legal origins to its official status as a recognized town, complete with historical figures like Seth Bullock, Wild Bill Hickock, Calamity Jane, and Al Swearengen. David Milch uses the story of Deadwood as a microcosm to explore the greater merits of civilization - the very act of disparate individuals putting aside their differences and working together to form a greater and more prosperous whole. It also contains some stellar production values, magnificent poetic writing, and an all-time performance from Ian McShane as Al Swearengen, one of the most captivating, interesting, and complex characters in television history.

#14: “The Boys” (2019-)

Superheroes are meant to stand for things like truth, justice, and virtue. However, you should probably forget all of that when you get to watching “The Boys.” It follows Billy Butcher and his ragtag crew as they wage war on corrupt supes and the all-powerful corporation that fuels them. This satirical take on the superhero genre is absolutely brutal and doesn't skimp on the violence or absurdity. Evil superheroes might not be everyone’s cup of tea, but “The Boys” has a premise worth getting hooked on and several seasons of outlandish swings that have kept audiences coming back for more.

#13: “The Office” (2005-13)

“The Office” is one of those exceptionally rare American adaptations that actually worked. Despite a generally rocky first season, “The Office” soldiered through and presented us with some incredible television. The characters were instantly relatable and charming, the humor was hilariously dry, and it contained a surprisingly gooey and warm center, led primarily by the relationship between Jim and Pam. Steve Carell also gave the performance of his career with Michael Scott, who (in our opinion) is one of the most endearing characters in sitcom history. It’s one of those shows you never want to end, and when it does, you find yourself missing the characters and the cozy world they inhabited. So you start it again. And again. And again. Send help.

#12: “The Americans” (2013-18)

It’s clear that “Breaking Bad” has been an enormous influence the decade's television, and as with “Barry,” there are comparisons to be made with “The Americans.” It follows two Soviet spies pretending to be a married American couple in suburban Washington. And wouldn’t you know it, their neighbor works counterintelligence for the FBI! The show contains all the excitement and glorious cat-and-mouse tension you'd expect, but it also serves as a contemplative look at marriage and self-identification. The fact that it can so effortlessly balance the two tones and genres is amazing, and both Keri Russell and Matthew Rhys turn in wonderful performances. This flew under the mainstream radar for most of its run, but it’s already a cult classic.

#11: “Fleabag” (2016-19)

Between “Fleabag” and “Killing Eve,” Phoebe Waller-Bridge had herself a fantastic and very prosperous decade. And while both shows are great, it’s “Fleabag” that is often showered with the praise and accolades. Waller-Bridge plays Fleabag, a neurotic woman trying to live her life, and having lots of sex, in modern London. And while the show sounds like a traditional sitcom, Waller-Bridge’s instantly memorable performance and intelligent writing helped turn it into must-watch TV. It never generated endless theories on Reddit, and it didn’t wow us with an expensive production. It’s just a funny, heartwarming, and well-told story, and we can all use a little bit more of that.

#10: “Curb Your Enthusiasm” (2000-)

Expectations were unbelievably high for Larry David’s follow-up to “Seinfeld.” Hence the possibly meta title. This show does share a few similarities with its spiritual predecessor, including a selfish protagonist and humor generated around misunderstandings and social faux pas. David plays a fictionalized version of himself, a selfish and very set-in-his-ways man who refuses to conform to societal expectations. He doesn’t make for the most agreeable protagonist, but his tactless personality certainly makes for many hilarious and horribly awkward situations! The talents of the cast must also be commended, as much of the show is improvised around a general story outline. It can certainly be a tough watch, but we’ve never seen awkward and cringe-inducing humor done so well. It’s truly painful stuff.

#9: “Atlanta” (2016-22)

The premise behind “Atlanta” is welcoming – the consistently enjoyable Donald Glover plays a struggling young man who decides to manage his cousin’s budding rap career. Only, the show is so much more than that, and frankly, it’s quite hard to accurately describe. Glover himself has called it “Twin Peaks’ with rappers,” and that’s certainly an accurate description. The show veers wildly between surrealist comedy, hard-hitting personal drama, introspective character study, nightmarish horror, and a thematic look into the social media obsessed hip-hop culture. It’s original, it’s fresh, and above all, it somehow remains consistently enjoyable despite its peculiar trappings. It’s one of the most bizarre yet rewarding TV shows we’ve ever seen.

#8: “Lost” (2004-10)

“Lost” is enormously influential, and various shows are still trying to recapture its lightning-in-a-bottle magic. This is the event show to end all event shows, garnering endless speculation and theories, six years of pent-up public excitement, and upwards of twenty million viewers a week at its peak. And while “Lost” is mostly remembered for its fascinating mysteries, reveals, and plot twists, it also contained an incredible cast of characters who made us cry on a near-weekly basis. One only needs to think of Desmond and Penny’s phone call, or Locke standing up on the beach for the first time, to start feeling the fuzzies. It may not have stuck the landing, but we shouldn’t let a disappointing conclusion overshadow its inarguable qualities and influence.

#7: “Game of Thrones” (2011-19)

When it comes to event television, few shows compare to “Game of Thrones.” This show helped bridge the gap between TV and film, as it contained a stellar cast and the greatest production values ever seen on TV. “Game of Thrones” told a highly complex and intriguing story full of twists and shocking developments, and it was fascinating to watch its popularity rise throughout the years. While it started slow, interest in the show slowly began to rise until it became the decade’s biggest TV event, breaking all sorts of viewership records, launching careers, and promoting endless discussion on forums and social media sites. It didn’t quite stick the landing, but it provided us with eight years of peak TV.

#6: “The Leftovers” (2014-17)

Hypes were high for “The Leftovers” – Damon Lindelof’s first television project since “Lost” – and while “Lost” fizzled out, many people were willing to forgive and see what he had in store. Luckily, they were not disappointed. The series is adapted from Tom Perrotta’s novel of the same name and concerns the “leftovers” on Earth who are, well, leftover after 2% of the population mysteriously disappears. The subject matter makes for difficult viewing, as it painfully delves into the complexities of the human psyche, but those who stick around will be infinitely rewarded with some of the best acting and writing in television history. It’s a masterpiece in every sense of the word, but it’s certainly not for everyone.

#5: “Succession” (2018-23)


Bitter family rivalries and corporate politics partner up to form one insanely entertaining show. When the theme song is dynamic enough to tell a story all on its own, you know the show is special. It doesn’t take too long to get fully hooked on the world of “Succession.” The show introduces audiences to the Roy family and their retinue of associates and rivals. Though the characters and the media conglomerate they squabble over are fictional, there’s plenty of comparisons to be made with real life. And with no shortage of awards and critical acclaim in tow, “Succession” is prestige television at its finest.

#4: “Mad Men” (2007-15)

On the surface, “Mad Men” follows the employees of an advertising agency. It sounds boring, and it certainly could have been in the wrong hands. Luckily, creator and head writer Matthew Weiner is a virtuoso, and he concocted the definitive statement on changing social mores and the counterculture movement of the 1960s. Like “Deadwood,” “Mad Men” uses the ad agency as a microcosm to explore greater and farther reaching themes, and it's an absolute masterclass in character development. It’s also telling that “Mad Men” aired throughout the late 2000s and early 2010s - another period rife with changing social mores. It uses the 60s to tell a story of modern times, and it does it in a highly entertaining and stylish fashion.

#3: “The Wire” (2002-08)

Typically regarded as one of the best shows ever made (if not THE best), “The Wire” is arguably the most ambitious show ever created. “The Wire” consistently sought lofty heights, and it mostly saw creator David Simon using the television medium to realistically depict the realities of inner city life and politics. “The Wire” has consistently garnered acclaim for its realism, and that’s largely due to Simon’s background as a police reporter at The Baltimore Sun. He knew what was happening on the streets and in the police stations, schools, and government offices, and he used “The Wire” to accurately, and dramatically, relay that story. It’s The Great American Novel in TV form.

#2: “Breaking Bad” (2008-13)

Now if you want to talk entertaining, let’s talk “Breaking Bad!” This is easily one of the most well-written and tightly-plotted shows in history. You’d think the story was planned from the very beginning, as each action has a thrilling consequence, and the story remains fluid and natural throughout its entire run. It all culminates in the unbelievably thrilling and emotional Ozymandias, which some critics call the greatest episode of television ever made. It also contained a slew of iconic characters, including Mr. White, Jesse Pinkman, and Saul, Mike, and Gus, who were so popular and richly characterized that they received their own, surprisingly excellent, spin-off. We’ve been chasing the high of “Breaking Bad” since 2013, and nothing has come close.

#1: “The Sopranos” (1999-2007)


“The Sopranos” changed the way television was made, and it legitimized the medium as a serious art form. While prior shows had garnered their share of acclaim and popularity, TV was always seen as a lesser medium. “The Sopranos” not only showed that TV could tell dark, complex, and richly thematic stories, it single handedly launched the Golden Age of TV Dramas, and many of the dramas on this list owe their very existence to “The Sopranos.” Most people expected a traditional gangster story, and while it was that in some ways, it also served as a dark and contemplative look at American life at the turn of the 21st century. It’s a masterpiece of television, and it has yet to be dethroned.

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