Top 30 Best & Worst Broadway Stunt Castings

#15: Worked: Keke Palmer as Cinderella

“Rodgers + Hammerstein’s Cinderella”

Keke Palmer made Broadway history in 2014 as the first Black actress to play Cinderella in Rodgers + Hammerstein’s classic musical on stage. This was a huge deal, and fans and critics alike praised the show for finally bringing some much-needed representation to the stage. She brought a bright, infectious charm, powerhouse vocals, and a stage presence that made the role feel brand new. Palmer didn’t just step into Cinderella’s shoes; she made them her own, winning over audiences with her warmth and talent. More than just a technical triumph, her performance inspired a new generation of theatergoers and proved that even the most traditional fairy tales can (and should) evolve.

#15: Killed the Show: Peyton List as Heather Chandler

“Heathers”

Best known for her Disney Channel and TV gigs, List took on the role of Heather Chandler in “Heathers: The Musical” in 2026. With a cult following already in place, expectations were sky-high. Her casting definitely got people talking, but the end result left a lot of fans feeling underwhelmed. While her vocals were pleasant enough, they just didn’t have the bite or power needed to pull off Heather’s big, show-stopping numbers, and she lacked the qualities that made Heather so… “Very.” Sure, her name brought some buzz, but plenty of theater fans left the show muttering a disappointed “Cornnuts.” In fairness, fans are noting improvement as her run progresses.

#14: Worked: Billie Joe Armstrong as St. Jimmy

“American Idiot”

When Green Day frontman Billie Joe Armstrong took on St. Jimmy in his own musical, “American Idiot,” it was an inspired move that electrified Broadway. Who better to embody the rebellious, anarchic spirit of the show than the very artist who penned its iconic songs and lived its punk rock ethos? Armstrong brought an authentic, raw, and almost dangerous intensity to the character, offering a deeply personal and utterly credible performance. His presence on stage not only drew massive crowds and sold-out houses but also infused the production with unparalleled realness, passion, and star power. It perfectly blurred the lines between performer, creator, and character, making for an unforgettable theatrical experience.

#14: Killed the Show: Melanie Griffith as Roxie Hart

“Chicago”

Melanie Griffith’s 2003 run as Roxie Hart was a fascinating contradiction. She sold out houses and charmed plenty of critics with her vulnerable acting, but the vocal purists weren’t having it. Jumping into the demanding world of musical theater was a huge challenge, and for anyone expecting a classic Broadway belter, her thin, breathy vocals just didn’t fill the room. Apparently, her energy just wasn’t big enough for the stage either, and rumor has it that this meant the ensemble had to shrink, too, so that she wouldn’t get overshadowed. Perhaps Melanie was the name on everyone’s lips that season, but not necessarily for the right reasons.

#13: Worked: Brandy as Roxie Hart

“Chicago”

Grammy Award-winning superstar Brandy Norwood took on the role of Roxie Hart in “Chicago” in 2015, and her performance was a delightful surprise for many. While “Chicago” has notoriously relied on a revolving door of celebrity stunt castings to keep its long run afloat, with names like Whitney Leavitt recently joining the cast, Brandy’s turn was a genuine success that stood out. Her soulful voice and confident stage presence brought fresh life to the role. Critics praised her vocals and noted that she handled the choreography with impressive ease. She proved she could hold her own on Broadway, delivering a captivating debut that demonstrated her versatility beyond the recording studio.

#13: Killed the Show: Cody Simpson as Dmitry

“Anastasia”

Singer and actor Cody Simpson took on the role of Dmitry in Broadway’s “Anastasia” in 2018, and while the casting created buzz, the results were mixed. He brought charm and a loyal fanbase, but Broadway demands can be very different from pop concerts. Critics frequently mentioned a lack of vocal strength and stage experience compared to seasoned performers. Dmitry requires a commanding presence and a voice that can carry a sweeping, romantic score. For many reviewers, Simpson’s portrayal didn’t fully meet those expectations. Though he approached the role earnestly, the performance highlighted the clear difference between touring as a pop star and sustaining the intensity of live theater night after night.

#12: Worked: Adam Lambert as the Emcee

“Cabaret”

When Lambert stepped into the Emcee role, expectations were high. Known for his powerful voice and theatrical flair, he seemed like a natural choice. And indeed, he was born for this role! Lambert delivered exactly what fans hoped for, bringing bold vocals and a magnetic stage presence to the Kit Kat Klub. His rockstar energy blended well with the show’s decadent, unsettling atmosphere, and he was fully committed to sharing its message. Critics praised his control, charisma, and ability to handle such an iconic role. Rather than feeling like a novelty, his casting felt inspired. Orville Peck also turned out to be a surprisingly great Emcee, but Lambert’s performance really stole the spotlight.

#12: Killed the Show: Rosie O’Donnell as Rizzo

“Grease”

O’Donnell brought plenty of star power to Rizzo in the 1994 Broadway revival of “Grease,” but the results were a mixed bag. Her TV fame definitely sold tickets, but critics couldn’t help noticing that Rosie’s big personality often overshadowed Rizzo’s more vulnerable side. Instead of fully disappearing into Rizzo, reviewers suggested that audiences were seeing Rosie first. The vocal demands of songs like “There Are Worse Things I Could Do” were also frequently mentioned as a challenge. Though she brought confidence and personality to the stage, many felt the portrayal leaned too heavily on her public image, rather than fully capturing the spirit of the musical.

#11: Worked: Nicole Scherzinger as Norma Desmond

“Sunset Boulevard”

Scherzinger’s portrayal of Norma Desmond earned widespread acclaim and major buzz. The Pussycat Dolls frontwoman fully committed to the faded silent film star, delivering impressive vocals and dramatic intensity. She was widely praised for her ability to handle Andrew Lloyd Webber’s demanding score, highlighting both her power and control. Beyond the singing, her stage presence and emotional depth were next level. She brought vulnerability and fierce determination to Norma, giving the role a fresh perspective while honoring its legacy. Her portrayal was so critically acclaimed that it led to strong calls for a Broadway transfer, showcasing a true star’s undeniable command of the stage. Talk about being ready for your close-up.

#11: Killed The Show: Billy Porter as the Emcee

“Cabaret”

It’s wild to think that Billy Porter could ever be miscast, but here we are. Critics called him out for leaning too hard into his signature fabulousness and not enough into the Emcee’s darker side. Instead of giving us a chilling symbol of society’s decay, Porter went full showboat with modern slang, out-of-place ad-libs, and gospel riffs that clashed with the show’s style. For some, it felt more like “Billy Porter: Live!” than “Cabaret’s” Emcee. Some offstage comments didn’t do him any favors either. By playing the Emcee as a sympathetic victim instead of a sly, complicit ghoul, Porter lost the role’s essential bite—and purists were not happy.

#10: Worked: Joe Locke as Tobias

“Sweeney Todd: The Demon Barber of Fleet Street”

You probably know this actor as Charlie Spring in “Heartstopper” or Billy Maximoff/ William Kaplan in “Agatha All Along.” In 2024, he showed off another side of his talent as Tobias Ragg in “Sweeney Todd.” Critics loved how easily he captured Tobias’s youthful innocence, but even more than that, they were blown away by his voice. He made Sondheim’s music sound effortless like he’d been on stage forever instead of making his Broadway debut. Those who know Locke wouldn’t have been as surprised since he grew up performing in amateur productions. Now he’s eyeing up shows like “The Last Five Years” and “Falsettos,” and believe us, if that happens, we’ll be first in line for tickets!

#10: Killed The Show: Mel B as Mimi Marquez

“RENT”

Producers clearly hoped she’d bring some extra spice to Mimi Marquez when she joined the cast of “RENT” in 2004. Unfortunately the internet has next to nothing to show for her time in the show. But honestly, her performance fell flat. Her voice just wasn’t strong enough for the role, and it felt like she was so focused on getting everything right that she couldn’t relax into her performance—which doesn’t really work when you’re playing a free spirit. Some even noted that her consistent vocal cracks were hard to ignore, proving once again that pop and theater are two completely different ballgames. It didn’t stop her from playing Roxie Hart on Broadway in 2016 to 17, but let’s just say it didn’t exactly change how theater fans felt about her.

#9: Worked: Wayne Brady as Aaron Burr

“Hamilton”

If you're familiar with Brady's work on “Whose Line Is It Anyway?” you'll know he can sing, he can act, and he's quick on his feet in every sense. Indeed, “Hamilton” wasn't even his first foray into theater. Lucky folks may have caught him in shows like “Chicago,” “Rent,” “Kinky Boots,” and more. As Brady put it, he's a “well-qualified choice who happens to be known.” Critics and audiences alike clearly agreed, lauding the actor for his interpretation of the show's antagonist. Many enjoyed how he played the role differently from his predecessors in the way he delved into the character's psyche. Overall, we're glad the casting directors put Brady in “The Room Where It Happens.”

#9: Killed the Show: Mandy Patinkin as Pierre

“Natasha, Pierre & The Great Comet Of 1812”

Okay, so this one’s a bit different from the others on our list because it isn’t directly Patinkin who caused the show to close early. When Josh Groban left, Okieriete Onaodowan (known for “Hamilton”) took over as Pierre. But then, since the show was having trouble selling tickets, the producers decided to swap him out for Mandy Patinkin. People weren’t happy, saying Onaodowan didn’t get a fair chance before being replaced by a more famous white actor. Patinkin agreed with the criticism and backed out. Around the same time, Onaodowan also made his official exit. Dave Malloy eventually stepped in but couldn’t stop this comet from losing its sparkle and fizzling out about a month later anyway.

#8: Worked: Ariana Madix as Roxie Hart

“Chicago”

When it was announced that the “Vanderpump Rules” star would be stepping into Roxie Hart’s heels, it certainly raised a few eyebrows. As we already mentioned, “Chicago” does love a stunt cast! However, this time, the verdict was in: Madix slayed! (Excuse the pun). Fresh off “Dancing with the Stars,” we knew she could move, but turns out she can sing and act too! Critics especially praised her comedic timing and how fully she threw herself into the role. Audiences showed up in droves—so much so that the show broke its record for highest-grossing non-holiday performance week. “I just really enjoy being on stage,” Madix said. And trust us, it shows. No wonder her run got extended!

#8: Killed the Show: Colleen Ballinger as Dawn

“Waitress”

Colleen Ballinger built a massive following as her YouTube character Miranda Sings, with (as of writing) over 10 million subscribers. So it’s no shock that producers saw those dollar signs light up. She was cast as Dawn in “Waitress,” but what audiences got felt more like Miranda as Dawn—which, if you know the character, isn’t exactly a compliment. For some, that was just fine, but for those unfamiliar with her YouTube persona, the casting was a head-scratcher. “Waitress” is another of those shows that’s no stranger to stunt casting to keep ticket sales up, but this was one of those times it just didn’t work. At least it was a short run.

#7: Worked: Emma Stone as Sally Bowles

“Cabaret”

Before she waltzed through the stars in “La La Land,” Stone was saying “Willkommen” to audiences in the 2014 “Cabaret” revival. Taking over from Michelle Williams for a short stint, she left a lasting impression! Folks couldn’t get enough of her portrayal, praising her for nailing the character by bringing an impressive depth to the role. Well, you don’t rack up all those acting awards for nothing! Stone admitted it was one of her toughest gigs yet, saying she’s not sure she could do it again. Nevertheless, her portrayal left many believing that “Maybe This Time,” the casting directors had hit the jackpot.

#7: Killed the Show: Ricky Martin as Che

“Evita”

Maybe “[He] Bangs” in his music career, but Ricky Martin’s time as Che in “Evita” left many exasperatedly proclaiming, “Oh What a Circus.” Despite having the pipes and the moves, some felt like his performance lacked depth and emotion and didn’t quite capture the complexities and subtleties needed for the role. In Martin’s defense, he practically had shoes the size of Buenos Aires to fill, and his performance wasn’t universally panned by any means. But sadly, he didn’t quite bring the house down as expected. Many felt the casting choice was a bit off-key, probably agreeing that whoever picked Martin for the role was “Livin’ la Vida Loca.’”

#6: Worked: Lea Michele as Fanny Brice

“Funny Girl”

It almost felt like Lea Michele had spent her “Glee” years manifesting this role. The road wasn’t exactly smooth, but in 2022, she finally got her shot to prove she was “The greatest star,” and boy, did she deliver. The reviews were glowing. Whether it was years of studying Fanny Brice or just sheer determination, Michele tapped into the spark that makes the character so iconic. We already knew she could sing, dance, and act, and she was no stranger to doing just that for eight shows a week. However, critics also praised the depth she brought, really digging into Fanny’s emotions. And, of course, her “Don’t Rain on My Parade” brought the house down

#6: Killed The Show: Nick Jonas as Marius Pontmercy

“Les Misérables”

Nick Jonas is best known as one-third of the Jonas Brothers, but did you know he started out on Broadway? He returned to the stage as Marius in the 25th-anniversary cast of “Les Misérables, “but honestly, he wasn’t quite the right fit for the role. While he’s definitely talented, his pop background didn’t mesh with the role’s vocal demands. The character requires an operatic voice with a lot of emotional depth, and Jonas’s pop style just didn’t deliver that. Plus, Marius is full of passion and vulnerability, and Jonas didn’t quite capture that, either. Audiences were “Still Hurting” when he was cast as Jamie in the 2025 revival of “The Last Five Years.”

#5: Worked: Daniel Radcliffe as J. Pierrepont Finch

“How to Succeed in Business Without Really Trying”

Ever wondered “How to Succeed [on Broadway] Without Really Trying”? Well, how about by enlisting the services of a charming and charismatic actor like Daniel Radcliffe, who can effortlessly cast a spell over audiences and ticket sales? That’s what this Broadway production did in 2011, and it was perfect timing, too! The last “Harry Potter” movie would be released later that year, and fans who weren’t ready to say goodbye could see “The Chosen One” live on Broadway. Of course, this was also great for the production as it brought in a new crowd who may have previously been unfamiliar with the show. Despite mixed-to-positive reviews, Radcliffe’s dedication and passion won hearts, proving he could work his magic on stage and win over new fans.

#5: Killed the Show: Fran Drescher as Madame

“Rodgers + Hammerstein's Cinderella”

Fran Drescher is talented, hilarious, and possesses a voice that could fill even the grandest theater. But have you ever wondered why Mr. Sheffield never cast her in one of his musicals? Critics weren’t exactly enamored with her as Cinderella’s evil stepmother, picking apart her over-the-top acting choices that they deemed to border on needless exaggeration. However, it seems some audiences still relished seeing the screen star’s comedic flair up close. Ticket sales did rise just a smidge during her run, but even so, not everyone was sold. Many believed that, at most, Fran’s performance was just “Fine” (that’s one for you ‘90s kids).

#4: Worked: Jordin Sparks as Nina Rosario

“In the Heights”

In 2010, this “American Idol” winner made her Broadway debut as Nina in “In the Heights.” She joined Corbin Bleu, who more than had his “head in the game” as Usnavi. Apparently, Jordin had always wanted to perform on Broadway, and when the chance came up sooner than she thought, she worked her socks off to keep up with her more seasoned castmates—and it paid off! Nina’s songs share her battles with identity and belonging, and Sparks’s amazing, soulful voice really was a perfect fit. Her performance felt so real and relatable, helping Nina’s story resonate with the audience. Jordin also joined the “Waitress” cast in 2019 as Jenna, with a run that was as sweet as pie.

#4: Killed The Show: Rosie O'Donnell as Golde

“Fiddler on the Roof”

O’Donnell and “Fiddler on the Roof” were about as mismatched as the suitors Yente lines up for Anatevka’s young singles. This wasn’t O’Donnell’s first Broadway role, having previously played Rizzo in “Grease” and the Cat in the Hat in “Seussical.” While some praised her for capturing the essence of a mother and wife in difficult times, others felt her performance lacked emotional depth, making it hard to connect with Golde. She leaned too heavily into her comedic background, which sometimes worked but blocked the way to the character’s deeper layers. Plus, her singing wasn't anything to write home about. Had she asked the audience, “Do you love me?” the answer might have been a resounding “No!”

#3: Worked: Neil Patrick Harris as Hedwig

“Hedwig and the Angry Inch”

Many of us know NPH best from his child-acting days as Doogie Howser or as the suit-wearing, high-five-loving Barney from “How I Met Your Mother.” However, if you look at the actor’s impressive stage credits, we’d say it’s fair to call him a stage and screen star. He especially excelled in the original Broadway production of “Hedwig and the Angry Inch,” earning a Tony Award for “Best Leading Actor in a Musical.” Like Wayne Brady, Harris has all the credentials to be a surefire hit and proved it night after night. His high profile was simply the cherry on top. This translated to box office profits, with ticket sales basically rising as high as Hedwig’s heels.

#3: Killed the Show: Cameron Dallas as Aaron Samuels

“Mean Girls”

This casting choice proved that a massive online following and decent vocal skills don’t necessarily guarantee success on stage. Many theater fans were skeptical when they heard the social media star would replace OG stage Aaron Samuels, Kyle Selig, during his time off. Unfortunately, their doubt wasn’t misplaced. Dallas’ inexperience and lack of theatrical background stuck out like a Plastic not wearing pink on Wednesday, especially compared to his co-stars. This was an issue both when it came to performing the musical numbers and convincingly delivering his dialogue. Let’s just say it’s a good thing it was only a limited four-week run because, sadly, fan reactions could’ve filled the “Burn Book.”

#2: Worked: Jinkx Monsoon as Mama Morton

“Chicago”

Jinkx Monsoon’s casting as Mama Morton in “Chicago” was a dream come true for fans and a full-circle moment for Jinkx herself, who credits the 2002 movie adaptation as her career inspiration. And she absolutely owned the stage. From her commanding presence to delivering every line with that trademark wit, Jinkx brought so much confidence to Mama Morton’s character. Her comedic timing was, of course, perfect, perfecting the balance between tough-as-nails and surprisingly vulnerable. And her voice is just perfect, too. She gives Mama’s songs all the sass and power they demand. It’s no wonder ticket sales soared, with people willing to stand just to see her. When you’re good to Mama, Mama’s good for business!

#2: Killed The Show: Boy George as Harold Zidler

“Moulin Rouge!”

JoJo was a Sparkling Diamond as Satine. Sadly Boy George as Harold Zidler was not so “Spectacular Spectacular.” Fans noted that his performance lacked the energy and charisma Zidler needed to command the stage. His delivery felt subdued, missing the over-the-top charm that makes the character magnetic. Many also found his vocal chops underwhelming and lackluster. At times, it felt more like Boy George playing himself rather than Zidler. Given his past legal troubles, some people weren’t thrilled about his casting at all. Other actors have brought this wild, chaotic energy to the role, but Boy George’s take felt too low-key. This part needs a true ringleader, and he just didn’t bring enough to the party.

Before we unveil our top pick, here are a few honorable mentions.

Worked: Charli D'Amelio, Ensemble, “&Juliet”

Proof That When You Play Your Talent to Their Greatest Strengths, Even an Ensemble Role Can Make Them a Star

Worked: Raven-Symoné as Deloris Van Cartier, “Sister Act”

Did You Ever Doubt She Wouldn’t Be “Fabulous Baby?”

Unclear: Megan Thee Stallion as Zidler, “Moulin Rouge!”

Will She Bring a “Savage” New Energy to the Role, Giving Ziddler More “Body-Ody-Ody?”

Worked: Brendon Urie as Charlie Price, “Kinky Boots”

We’re Definitely Saying Yeah to This Celeb Casting!

Worked: Dylan Mulvaney as Anne Boleyn, “Six”

Fans Are Losing Their Heads over This Casting

#1: Worked: Reba McEntire as Annie Oakley

“Annie Get Your Gun”

Bernadette Peters may have kicked off this show’s 1999 revival, but it was Reba McEntire who really stole the spotlight when she made her stage debut as Annie Oakley. Fans fell in love with her powerhouse voice, captivating stage presence, and her ability to bring the character to life with authenticity and charm. She infused the role with natural warmth and humor, winning over audiences and earning glowing reviews. Plus, her position as a country music star probably drew in both fans of the genre and theater lovers. If she ever decides to reprise the role, you better believe we'll be first in line for tickets!

#1: Killed the Show: David Hasselhoff as Dr. Henry Jekyll / Mr. Edward Hyde

“Jekyll & Hyde”

Stepping onto the Broadway stage for the first time can be nerve-wracking, but taking on two different characters? That’s a whole new level of challenging. Yet that’s exactly what the “Baywatch” star did in his debut. The “Jekyll & Hyde” musical was perhaps hoping to gain more widespread notice when it decided to pull out all the stops with a big-name stunt. Yet, the role of Dr. Henry Jekyll / Mr. Edward Hyde demands top-notch acting and vocal skills, making you wonder if they should’ve gone for someone with more theater experience. We’re not totally panning Hasselhoff’s performance; confronting yourself takes a lot of skill. Still, audiences saw right through the “Façade.” If anyone was hoping for a show-stopper, well, “This [wasn’t] the Moment.”

Did a star casting surprise you in particular? Let us know in the comments