Top 20 HATED Songs That Became LOVED
WRITTEN BY: Saim Cheeda
- "Like a Prayer" (1989)
- "I'm Too Sexy" (1991)
- "Ice Ice Baby" (1990)
- "Barbie Girl" (1997)
- "Red Solo Cup" (2011)
- "Crank That (Soulja Boy)" (2007)
- "Macarena (Bayside Boys Remix)" (1993)
- "Never Gonna Give You Up" (1987)
- "Eleanor Rigby" (1966)
- "Sympathy for the Devil" (1968)
- "Baby" (2010)
- "The Sound of Silence" (1964)
- "We Built This City" (1985)
- "Achy Breaky Heart" (1992)
- "Creep" (1992)
- "Hotel California" (1977)
- "Stairway to Heaven" (1971)
- "Hallelujah" (1984)
- "Bohemian Rhapsody" (1975)
- "Like a Rolling Stone" (1965)
#20: “Like a Prayer” (1989)
Madonna
This Madonna song saw a huge revival as part of the “Deadpool & Wolverine” soundtrack. However, its ts use of religious imagery, symbolism, and Madonna’s own unapologetic stance had once ignited a massive uproar. The controversy was so strong that Pepsi backed off an endorsement deal after airing just one commercial. But the song’s musical strengths have been far more appreciated as the years have passed, while the video came to be viewed more as performance art. Today, the song is credited for Madonna’s ascension from pop star to artist and is considered among the greatest tracks of all time. Life really is a mystery, after all.
#19: “I’m Too Sexy” (1991)
Right Said Fred
Even if you’re unfamiliar with the full version, odds are you’ve at least heard the lyrics from this catchy track. Initially dismissed as an “eccentric” or a “novelty” track by critics, it’s now regarded as Right Said Fred’s signature song. When first released, many weren’t sure how to process its tongue-in-cheek lyrics or minimalist beat. However, its unforgettable hook caught on with audiences across decades. Listeners eventually embraced its self-aware charm and dance-club style. While the song might not be considered a game-changer for the industry, it remains among the most memorable and well-known pop tracks from the ‘90s. And let’s be honest, who hasn’t imagined walking down the ramp with the song playing in their heads?
#18: “Ice Ice Baby” (1990)
Vanilla Ice
Unlike many other disliked songs, this one initially enjoyed a remarkable run, credited by many as increasing hip-hop’s reach to a mainstream audience. However, the song and its artist were widely mocked after controversy arose over uncredited sampling of Queen and David Bowie’s “Under Pressure.” Soon after, the song was dismissed by some as derivative and a shallow, commercialized form of hip-hop, despite Queen and Bowie receiving songwriting credits. But this image didn’t last. Over time, the song experienced a revival in perception, with many seeing it as a nostalgic throwback to the ‘90s. Although it still has its critics, “Ice Ice Baby” is now largely seen as an early milestone that crossed hip-hop into pop culture.
#17: “Barbie Girl” (1997)
Aqua
Honestly, it’s hard to find a middle ground with this song. You either can’t stand it or you absolutely love it. Pure, unadulterated satire that knows it’s as absurd as it comes across, Aqua’s breakout hit was heavily ridiculed upon release. While the buzz ultimately helped it climb the charts, the song was seen as little more than a fad for young audiences. And yet, here we are nearly three decades later, and we still wanna head over to Barbie World. Its bubblegum pop, campy beat is almost impossible to resist, leaving most people singing along even if they can’t help it. Now say it with us because we know you want to: “Come on, Barbie, let’s go Party!”
#16: “Red Solo Cup” (2011)
Toby Keith
If your first reaction to this song was total confusion, then join the club – you aren’t alone. It’s hard to make heads or tails of this country song, lacking any traditional structure or hard-hitting chorus. Even Toby Keith himself called it “the stupidest song I ever heard in my life.” Despite appearing in most “worst song” lists at the time, “Red Solo Cup” has since defied the odds big time. Peaking at number 15 on the Billboard Hot 100, it was also covered on shows like “Glee” and entered pop culture as a legitimate hit. Over time, the song has come to embody carefree and laid-back vibes, living on as a beloved party track tribute to Keith after his passing in 2024.
#15: “Crank That (Soulja Boy)” (2007)
Soula Boy Tell’em
Public opinion can change quickly when a song quickly becomes popular. When it comes to “Crank That,” the track was nearly unavoidable at its peak. Thanks to its viral dance and endlessly looped lyrics, it became one of the first examples of the internet's influence. Still, critics viewed it as a passing trend likely to fade, and many listeners grew tired once “Crank That” seemed like it was everywhere. For a while, the song was more known for overexposure than for entertainment. But once the saturation faded, it regained its status as a beloved part of its era. Today, it’s both a fun throwback and a reminder of how social media and fan involvement can propel a track to “Superman” success.
#14: “Macarena (Bayside Boys Remix)” (1993)
Los del Río
Not every song gets this famous with barely anyone knowing the lyrics. But while most people only remember just two words from this track, it has long immortalized itself into pop culture. Its simple dance steps and catchy tune caught the world by storm, quickly becoming a musical phenomenon. But with popularity came skepticism, with some accusing it of being one-note and repetitive. For others, it simply became annoying to hear all the time. But as the industry evolved into different trends, “Macarena”’s appeal grew again, and audiences appreciated its straightforward entertainment value. Today, “Macarena” enjoys its place as a beloved piece of musical history, one where fans can unite, shake their hips, and belt out those two iconic words: “Hey Macarena” .
#13: “Never Gonna Give You Up” (1987)
Rick Astley
Although it wasn’t exactly despised, Rick Astley’s signature song was considered too cheesy by some critics. Its polished pop sound was a hit with most, but not everyone was willing to accept it. Although a success at the time, the song’s cultural impact truly exploded two decades later. As the subject of the “Rickrolling” meme, it found new life on the internet, disguised as misleading links that led back to Astley’s tunes. Rather than turning audiences against it, the meme helped bring Astley back into the spotlight. Whether ironically or not, fans have come to love “Never Gonna Give You Up” as a pop classic. And it’s clear that none of us are “strangers to love” anymore.
#12: “Eleanor Rigby” (1966)
The Beatles
Although never outright hated like “Ob-La-Di, Ob-La-Da,” “Eleanor Rigby” didn’t have the greatest reputation among the Beatles’ catalogue either. It was criticized by some for being too experimental and lacking wide commercial appeal, with Ray Davies of the Kinks even calling it a song that would only “please music teachers in primary schools.” But over time, many came to appreciate its lonely, somber tone for touching on a different set of emotions. The song is now often seen as a key transition in the Beatles’ artistic evolution, signalling a move from their rock-n-roll roots. With an emphasis on introspective storytelling, “Eleanor Rigby” has become a bigger hit with modern audiences, as a reminder of the band’s lasting impact.
#11: “Sympathy for the Devil” (1968)
The Rolling Stones
Much of what might be considered harmless today was outrageous back when this song was released. Despite critical acclaim, the Rolling Stones faced accusations of devil worship by some conservative commentators. Sung from Satan’s perspective and referencing various dark moments in human history, the song is designed to be provocative. Looking back, Keith Richards recalled the band’s image went from “just innocent kids out for a good time” to being branded “evil” and accused of corrupting youth. The conversation eventually shifted from controversy to craftsmanship, with the Rolling Stones now seen as daring to be different. Listeners today consider it more of an exploration of humanity’s capacity for darkness than a supposed endorsement of evil.
#10: “Baby” (2010)
Justin Bieber feat. Ludacris
You really had to be there to remember just how much buzz this song created back in the day. While Beliebers sang it loudly and proudly, others watched the video just to dislike it on YouTube. Either way, “Baby” propelled Justin Bieber to global fame. Still, the young singer became the target of online ridicule, and the music video spent years as the most-viewed and most-disliked video on the platform. Yet, the backlash didn’t stop its reach. And as the hype faded, many came to like “Baby” for being catchy, rhythmic, and fun. Today, hating on the song isn’t nearly as “cool” as it once was, with many listeners more than willing to admit they actually enjoy it.
#9: “The Sound of Silence” (1964)
Simon & Garfunkel
This folk duo probably weren't anticipating a pop hit to open with, [“Hello, darkness, my old friend.”] Simon & Garfunkel's breakout single originated as an acoustic ballad on the unsuccessful album “Wednesday Morning, 3 A.M.” “The Sound of Silence” was just another track dismissed as dreary and pretentious. Then producer Tom Wilson had the idea to overdub rock instrumentation for a single release. Folk traditionalist Paul Simon was not happy about this unauthorized remix. The public, however, embraced the new hook’s juxtaposition with the profound lyrics. “The Sound of Silence” launched Simon & Garfunkel to stardom, especially after its iconic use in the film “The Graduate.” It is now considered a folk rock masterpiece, with few even knowing that it started as acoustic filler.
#8: “We Built This City” (1985)
Starship
It doesn't get more ‘80s than “We Built This City,” at least to critics of that pop-rock sound. Ironically, Martin Page and Bernie Taupin originated the lyric to criticize the decline of Los Angeles’s live music scene. After rewrites and creative conflicts, Starship delivered the very corporate cheese they were condemning. This infuriated critics, especially given the band’s distant roots in protest rock pioneers Jefferson Airplane. Several major publications would list the song among the worst of all time. However, its undeniable hook made for an instant commercial hit. The dated ditty survived on its campy reputation, before gradually becoming a genuine gem of nostalgia. There's plenty to tear down with “We Built This City,” but it still speaks to the people.
#7: “Achy Breaky Heart” (1992)
Billy Ray Cyrus
The Marcy Brothers didn't quite hit with “Don’t Tell My Heart.” But as a retitled cover by some little-known singer, Billy Ray Cyrus’s “Achy Breaky Heart” became a multi-platinum hit. Still, critics like Travis Tritt saw it as the worst kind of crossover between country and pop that was emerging in the ‘90s. Three Grammy nominations didn't save Cyrus from heavy backlash over his corny breakout. But that didn't stop its success with audiences, or the acclaim for its music video. This was associated with line dancing becoming a modern mainstream phenomenon. The song itself is now considered a classic and popular influence within country pop. As much as it may break a hater’s heart, “Achy Breaky Heart” is still blowing up.
#6: “Creep” (1992)
Radiohead
Before their groundbreaking experiments, Radiohead was one of Britain’s few successes in ‘90s grunge. This was both made and broken by the breakout single “Creep.” It wasn’t exactly a breakout in the UK, partly because the BBC banned it for its dour tone and profanity. The angsty anthem didn’t fare much better with critics and audiences. America’s alternative scene embraced “Creep,” but it charted at No. 78 back home. This helped to push Radiohead into the stylistic shifts that made them one of the most acclaimed bands of the 21st century. Meanwhile, their first international hit was reappraised as a unique, evocative twist on outsider rock. Radiohead may even consider “Creep” an outsider in their catalog, but it’s found its place as a classic.
#5: “Hotel California” (1977)
Eagles
Early critics of the Eagles regarded them as bland California fantasists. Not even “Hotel California” changed everyone's mind. The band’s departure from country with guitarist Bernie Leadon led to more generic, arguably ill-fitting rock elements. Many still consider the ballad over-arranged in its music and pretentious in its abstract lyrics. Nevertheless, the album “Hotel California” became one of the all-time best-selling works in rock. A Grammy win for Record of the Year sure struck down contemporary critics of the title track. Discussions about its complex themes and guitar duo have made it more renowned through the years. Though some resolute critics may only be more irritated by the incessant airplay, hardly anyone wants to leave “Hotel California.”
#4: “Stairway to Heaven” (1971)
Led Zeppelin
A seminal mix of blues and hard-driving rock set Led Zeppelin apart from everyone else. It's no wonder certain fans were taken aback by “Stairway to Heaven.” The eight-minute folk-prog epic was polarizing for its mostly slow pace and whimsical lyrics. There were even rumors of occult themes. For Zeppelin to have actively developed the song as a concert centerpiece, bassist-keyboardist John Paul Jones recalled an unenthusiastic response to its live debut. Since then, “Stairway to Heaven” has been celebrated for its sophisticated composition and eventually explosive musicianship. Many consider it the magnum opus not only of Zeppelin, but of all rock epics. It was a slow build, but this unlikely anthem has ascended to greatness.
#3: “Hallelujah” (1984)
Leonard Cohen
It may be one of the most romantic lyrics of its day, if you're open-minded enough. After several years and countless rewrites, Leonard Cohen’s “Hallelujah” was rejected by Columbia Records alongside the album “Various Positions.” A gospel serenade with sexual and religious overtones is certainly touchy. But even critics dismissed the moody track when it was finally released. It was still embraced and covered by the likes of Bob Dylan and Jeff Buckley. After John Cale’s version made the “Shrek” soundtrack, “Hallelujah” experienced a popular resurgence. It has also become subject to many musical and academic interpretations. The big controversy now is that the song is heavily overplayed. Otherwise, “Hallelujah” has paid its dues to become one of Cohen’s most exalted works.
#2: “Bohemian Rhapsody” (1975)
Queen
At first, it seemed that Queen pushed the boundaries of popular music too far. “A Night at the Opera” was reportedly the most expensive album ever produced, with the lead single being a six-minute tragedy suite. Critics weren't much kinder to “Bohemian Rhapsody” than record executives. Many found it abrasive and overblown, complete with an opera section that featured made-up words. But a radio preview campaign raised enough interest for the single to be an unthinkable commercial hit. While the album was altogether hailed as a triumph, “Bohemian Rhapsody” was a phenomenon. Audiences came to embrace its complex structure, emotional depth, and groundbreaking production. Now one of rock music’s greatest and most implausibly successful singles is a radio staple.
#1: “Like a Rolling Stone” (1965)
Bob Dylan
While electric anthems took over the rebellious sound of the ‘60s, Bob Dylan remained an important voice in acoustic poetry. Then “Like a Rolling Stone” changed everything for the better… eventually. Columbia Records was reluctant to release the long, slow and cynical ballad about disillusionment. They were especially nervous about Dylan using an electric band. Fans were even more upset over the song’s infamous live debut at the 1965 Newport Folk Festival. Dylan going electric became synonymous with selling out. Over time, however, everyone accepted that the iconoclastic songwriting was still there. Dylan had just developed a sound to revolutionize folk rock and important mainstream music. Once considered a quintessential letdown, “Like a Rolling Stone” is now considered Dylan’s defining masterpiece.
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