Top 50 Best Opening Movie Scenes Ever

#50: Presidential Attack

“X2: X-Men United” (2003)

Opening a superhero sequel with the President of the United States under attack is a bold move, but doing it with Nightcrawler makes it pretty unforgettable, if you ask us. Alan Cumming’s teleporting mutant infiltrates the Oval Office in a breathless, high-stakes sequence. Combining crisp editing, fluid choreography, and John Ottman’s dramatic score, the scene demonstrates Nightcrawler's power while establishing the rising anti-mutant hysteria that drives the film's plot. It instantly raises the stakes for the entire franchise, delivering an action set piece that remains a high-water mark for comic book cinema.

#49: A Feast For the Eyes

“Blade Runner” (1982)

This introduction to 2019 Los Angeles doesn’t hit us with action, but instead bowls audiences over with a breathtaking, oppressive atmosphere. This opening to “Blade Runner” includes flame-spewing industrial towers that pierce a dark, hazy sky before the camera zooms into a massive, monolithic pyramid structure. Vangelis’ synth-heavy score echoes ominously, setting an icy, dystopian mood. When the scene transitions into a tense Voight-Kampff interrogation, we are immediately pulled into a grounded sci-fi noir where the boundary between human and synthetic is dangerously blurred. It’s an iconic aesthetic triumph that established the visual blueprint for cyberpunk storytelling forever.

#48: Count to Ten

“Mission: Impossible 2” (2000)

Director John Woo doesn't mess around when introducing Ethan Hunt. Instead of a typical spy briefing, we find Tom Cruise free-soloing a sheer cliff face in Dead Horse Point State Park with zero ropes and maximum swagger. Sweeping aerial shots, dramatic slow motion, and a soaring rock score heighten the tension as Hunt executes pulse-pounding, leap-of-faith maneuvers. The scene culminates in a top-secret briefing delivered via exploding sunglasses. It’s peak early 2000s action filmmaking that instantly tells the audience everything they need to know about Ethan Hunt’s borderline life-threatening dedication to the job.

#47: Speech to the Third Army

“Patton” (1970)

Before a single frame of battlefield drama unfolds, George C. Scott delivers one of cinema's most legendary monologues. Standing in crisp dress uniform before a massive, wall-sized American flag, General George S. Patton Jr. addresses an unseen audience of soldiers. Scott’s booming, gravelly voice and unflinching charisma command complete control of the screen. He lays out his ruthless philosophy on war, honor, and victory with fierce directness. It’s a minimalist, theatrical masterpiece of an opening that immediately establishes the larger-than-life presence and complex psyche of one of history’s most polarising military figures.

#46: Peter Quill: Star-Lord

“Guardians of the Galaxy” (2014)

The folks over at Marvel flipped the script on traditional sci-fi intros by pairing alien ruins with 1970s pop. After a quick, heartbreaking prelude in 1988, we jump forward to find Peter Quill, aka Star-Lord, exploring a bleak, cavernous planet. Instead of brooding in the dark, he pulls out a Sony Walkman, hits play on Redbone’s "Come and Get Your Love," and dances his way through alien puddle-jumping and lizard-grabbing. It instantly tells us who Star-Lord is—a goofy, music-obsessed rogue—while signaling that this cosmic adventure for the “Guardians of the Galaxy” won't take itself too seriously.

#45: Struttin’

“Saturday Night Fever” (1977)

Set to the irrepressible beat of the Bee Gees' "Stayin' Alive," Tony Manero walks through Brooklyn with pizza in hand and absolute confidence in his step. John Travolta’s iconic walk captures the spirit of an era, transforming a simple street stroll into a masterclass in character introduction. The camera cuts tight on his leather jacket, platform shoes, and rhythmic sway, establishing Tony’s desire to stand out despite his working-class surroundings. It’s effortlessly cool, wonderfully rhythmic, and undeniably iconic, perfectly teeing up the rise of 1970s disco culture.

#44: Montage

“Watchmen” (2009)

Leave it to Zack Snyder and company to turn a seemingly simple superhero setup into a visual poetry lesson. After a not-so-heroic “hero” named the Comedian is thrown to his demise, a slow-motion title sequence chronicles an alternate American history shaped by costumed vigilantes. It’s all brilliantly set to Bob Dylan’s "The Times They Are A-Changin'.” From the Golden Age heroes of the Minutemen to the Vietnam War and Nixon's extended presidency, every frame is packed with rich detail and Easter eggs. It condenses decades of dense backstory into a mesmerizing montage that feels like a living comic book splash page, perfectly setting up a bleak, morally gray world on the brink of nuclear collapse.

#43: The Breakup

“The Social Network” (2010)

It’s the rapid-fire dialogue of screenwriter Aaron Sorkin and David Fincher’s meticulous direction that help turn a simple college bar conversation into a cinematic masterpiece. In just under five minutes, Mark Zuckerberg and his girlfriend Erica Albright engage in a verbal fencing match that cuts to the core of Mark’s brilliant, arrogant, and deeply insecure personality. As the argument spirals and Erica breaks up with him, Mark rushes back to his dorm to code "Facemash." It’s a brilliant setup that showcases the petty spite, genius, and social isolation that ultimately led to the creation of Facebook.

#42: USS Kelvin

“Star Trek” (2009)

This reboot of Gene Roddenberry’s creation struck with pure emotional lightning. The USS Kelvin is ambushed by a mysterious Romulan ship, forcing George Kirk to take temporary command. With his pregnant wife in an escape pod about to give birth to James T. Kirk, George makes the ultimate sacrifice by ramming his doomed ship into the enemy craft to buy time for the survivors. Michael Giacchino’s heartbreaking score elevates the panic into pure tragedy. In under ten minutes, the film delivers a thrilling sci-fi action scene that reshapes the entire timeline with unbelievable emotional weight.

#41: Club

“Boogie Nights” (1997)

Paul Thomas Anderson kicked off his breakout hit with an epic, three-minute uninterrupted tracking shot. Entering a bustling 1970s nightclub to the sound of "Spill the Wine," the camera swoops past disco dancers, bouncers, and servers, smoothly introducing virtually the entire main cast in one fluid movement. We meet producer Jack Horner, star Amber Waves, and eventually young busboy Eddie Adams. The technical wizardry pulls us headfirst into the hedonistic world of the adult entertainment industry, setting an energetic, immersive, and stylish tone for the cinematic roller coaster to come.

#40: No Hero Here

“28 Weeks Later” (2007)

Few intros from the world of horror cinema can match the sheer, relentless panic of this somewhat underrated sequel to the original “28 Days Later.” The opening to “28 Weeks Later” sees Don and his wife hiding in a quiet cottage during the Rage Virus outbreak. When infected intruders breach the house, absolute chaos erupts. Don makes the harrowing, selfish decision to abandon his wife to save himself. What follows is a terrifying, foot-propelled chase across open fields as scores of infected sprint after him, a moment underlined by John Murphy’s haunting musical theme. It’s a brutal, heart-pounding sequence that immediately establishes that in this world, survival comes at a devastating moral cost.

#39: A Breathtaking View

“The Sound of Music” (1965)

Before lines of dialogue are spoken, sweeping aerial shots of the majestic Austrian Alps transport us into a cinematic fairytale here in “The Sound of Music” from 1965. The camera glides over mountain peaks and lush green valleys, gradually descending onto a distant figure twirling in a meadow. As Julie Andrews opens her arms and belts out the film’s iconic title track, cinematic history is made. The combination of breathtaking cinematography, enveloping sound design, and Andrews’ crystal-clear vocals creates a pure moment of joyful escapism that continues to enchant audiences across generations.

#38: Wasting No Time

“Gladiator” (2000)

It happens almost immediately. Director Ridley Scott drops us right into the muddy, brutal reality of ancient warfare with his 2000 opus, “Gladiator.” General Maximus Decimus Meridius inspects his troops on the icy forest battlefield of Germania before unleashing the full force of the Roman army against Germanic tribes. Flamethrowing catapults, rain of arrows, and bloody hand-to-hand combat create an overwhelming sense of chaotic realism. Hans Zimmer’s sweeping score anchors the spectacle, while Russell Crowe’s quiet authority establishes Maximus as a brilliant leader loved by his men, setting up his tragic fall and ultimate quest for vengeance.

#37: Old School Tribute & Satire

“The Player” (1992)

This effort from classic American auteur Robert Altman pays homage to classic cinema with a legendary eight-minute continuous tracking shot across a Hollywood studio lot. As executives pitch absurd movie ideas and gossip about the industry, characters ironically discuss famous long takes from films like “Touch of Evil.” The camera weaves through windows, across parking lots, and around bustling sets, offering a satiric, behind-the-scenes peek at the shallow nature of show business. It’s a hilarious, technically masterful cold open that sets the stage for a razor-sharp dark comedy about Hollywood corporate greed.

#36: A Cold-Blooded Murder

“Zodiac” (2007)

This bleak and depressing film from director David Fincher crafts a chilling and deeply uncomfortable atmosphere right within its opening minutes. The opening of “Zodiac” is set on the 4th of July in 1969, where a young couple sits in a parked car at a quiet lover's lane while fireworks explode in the distance. Three Dog Night’s "Easy To Be Hard" plays softly on the radio, contrasting sharply with the creeping dread of a vehicle pulling up behind them. The quiet, matter-of-fact violence that follows is terrifyingly unglamorized, pitching viewers right into the dark, unsolved mystery that obsessed a nation for decades.

#35: Accident & Trauma

“Vertigo” (1958)

Alfred Hitchcock and graphic designer Saul Bass teamed up for an intro that plunges audiences straight into psychological obsession. Beginning with a tight close-up of a woman's face, the camera moves into her eye, transitioning into mesmerizing, swirling spirograph patterns scored by Bernard Herrmann’s disorienting music. This cuts straight to a rooftop police chase where detective Scottie Ferguson dangles precariously over a drop, before watching an officer fall to his death. It instantly introduces the themes of acrophobia, guilt, and fixation that define Hitchcock's masterpiece, one that routinely tops lists of the best movies ever made.

#34: A Classic Introduction

“Heat” (1995)

The ever-stylish and impossibly evocative Michael Mann sets a masterclass in tension without dropping a single moment of filler during this opening sequence of his crime cinema masterpiece, “Heat.” We watch Neil McCauley and his crew methodically execute an armored car heist on the streets of Los Angeles. Every movement is cold, precise, and professional. However, when a loose-cannon crewmate panics and executes a guard, the situation explodes into a lethal, high-stakes situation. Mann’s gritty realism, crisp audio design, and sharp editing establish both McCauley’s cold professionalism and Al Pacino’s relentless detective, setting up their legendary cat-and-mouse game.

#33: Rosebud

“Citizen Kane” (1941)

Filmmaking legend Orson Welles begins his magnum opus, “Citizen Kane,” with a Gothic, mysterious trek into the decaying estate of Xanadu. No-trespassing signs, iron gates, and eerie shadows set a haunting mood as the camera creeps toward a lit window. Inside, a dying Charles Foster Kane holds a snow globe, mutters the cryptic word "Rosebud," and lets the glass sphere shatter on the floor. It’s a visually revolutionary sequence utilizing deep-focus photography and stark lighting, instantly sparking the central mystery that drives the rest of the film.

#32: Michael’s First Kill

“Halloween” (1978)

Director John Carpenter revolutionized the horror genre by using a Panavision Panaglide that created a continuous, point-of-view perspective. Through the eyeholes of a clown mask, we stalk a pair of teenagers on Halloween night in 1963. The camera glides through the house, grabs a butcher knife from the kitchen, and ascends the stairs to commit a shocking murder. Only when the killer steps outside and gets unmasked by his parents do we learn the horrifying truth: the murderer is little Michael Myers. It’s a chillingly intimate intro that still leaves audiences unnerved… and helped spawn an infamous icon of horror cinema.

#31: A Galaxy Far, Far Away

“Star Wars: Episode IV – A New Hope” (1977)

Nothing in cinema history tops the sheer scale and sense of wonder delivered by George Lucas and his crew back in 1977. Following the iconic opening crawl and John Williams' soaring fanfare, the camera pans down to a quiet starfield. Suddenly, a small Rebel blockade runner flashes across the screen under fire, followed by a terrifyingly massive Imperial Star Destroyer that just keeps coming. In seconds, without a word of dialogue, the power dynamic of the entire galaxy is established, launching an epic saga that changed pop culture forever. A scene that we’re still discussing with reverence so many years later.

#30: Honoring a Fallen Friend

“Deadpool & Wolverine” (2024)

While investigating Wolverine’s final resting place at the beginning of “Deadpool & Wolverine,” Deadpool encounters the Time Variance Authority. He uses an unorthodox way of fighting back—involving the use of the fallen Wolverine’s adamantium skeleton. Deadpool takes down his enemies in an over-the-top and darkly funny scene. The superhero delivers all the quips and violent moves that you could ask for. There’s also an unforgettable soundtrack with “Bye Bye Bye” by NSYNC adding extra flair to the sequence. Superhero movie fans will never hear the song the same way again, with this sequel giving audiences a shot of comedic adrenaline.

#29: Migrating Coconuts

“Monty Python and the Holy Grail” (1975)

In this classic comedy, the Monty Python troupe infuse the Middle Ages with their silliest humor. This becomes apparent in the very first scene, as King Arthur emerges with his squire, Patsy. Instead of riding a horse, Arthur pretends to gallop as Patsy bangs coconuts together. This was actually done for budgetary reasons - they couldn’t afford real horses! It’s a goofy image that only gets better when they encounter castle guards. Arthur wants to speak to their boss—but not so fast. Instead the guards start a discussion about the coconut’s origins. This includes a funny breakdown of birds and their migratory patterns. By the end of it all, you’ll be pleasantly surprised, amused, and maybe even confused—but in a good way.

#28: “Bellbottoms” Chase

“Baby Driver” (2017)

What’s more entertaining than a good movie bank heist? “Baby Driver” gives you the exciting aftermath of a robbery with an awesome soundtrack. Director Edgar Wright starts off his crime thriller with a bang, giving you a getaway scene set to the Jon Spencer Blues Explosion. You also get a slick car chase courtesy of some talented stunt drivers. As the vehicle swerves through city streets, you can’t help but feel like you’re riding along as another passenger. Wright knows how to fuse together high-octane action, music, and danger with each passing second.

#27: Landing Sequence

“Serenity” (2005)

Whether or not you’ve seen the original TV show “Firefly,” the film “Serenity” gives viewers an effective introduction into this sci-fi world. Things start off with an exciting and bumpy landing sequence that guides you through the Serenity ship. Captain Mal Reynolds explores the vessel while bantering with various crew members, such as Wash and Jayne. The movie wastes no time in catching newcomers up to speed, while also offering die-hard fans of “Firefly” another reason to love this ensemble. There’s also the elaborate set, amazing visuals, and fun dialogue to thrill audiences. But it’s ultimately the chemistry between cast members that makes this opening scene special.

#26: Dance Fight

“West Side Story” (1961)

Moving Shakespeare to New York City, “West Side Story” opens with some great aerial views of the Big Apple. The scene then shifts to a contentious part of town ruled by two gangs. The Jets, led by Riff, and the Sharks, led by Bernardo, establish themselves here, showing that they can dance as well as fight. Robert Wise’s vision and Jerome Robbins’ choreography bring the scene to life, with Leonard Bernstein’s music piecing it all together. The whole story comes alive within the first ten minutes without the need for any words.

#25: The Rules

“Zombieland” (2009)

To survive a zombie apocalypse, you need to live by a few simple rules. This is the crux of Columbus’ philosophy in “Zombieland.” He walks the audience through his survival rules, which prove to be as funny as they are practical. Right from the jump, this movie lets you know that you’re in for a mix of zombie mayhem and off-the-wall comedy. There’s also the fantastic voiceover from Jesse Eisenberg, displaying a lovable everyman character with a dry sense of humor. You might even find yourself taking notes in case the undead rise up.

#24: Car Bomb

“Touch of Evil” (1958)

Orson Welles’ film noir “Touch of Evil” features an electric opening scene that’ll have you on the edge of your seat. As a car bomb ticks away, the driver rides around for the last time. You’ll find yourself sweating as you wonder when the device will go off. The director juxtaposes Mike Vargas and his wife Susan enjoying their night, until the explosion interrupts them. Welles’ long take keeps you engaged, guiding you through the action. The director establishes the compelling conspiracy and violence lurking beneath this story within the first few minutes.

#23: Tuco’s Escape

“The Good, the Bad and the Ugly” (1966)

In this definitive spaghetti Western, director Sergio Leone starts things off in a quiet town. Bounty hunters are looking for Tuco Ramirez. The filmmaker lets you fill in the blanks here, watching as the team slowly heads for their prize. It’s an incredibly atmospheric scene with both staggering close-ups and beautiful landscapes. The gunmen finally charge in after their target, but Tuco manages to fight back and escape in memorable fashion. It might be one of the boldest character introductions of its kind. With one freeze frame, we know we’re in for a true masterpiece from Leone.

#22: Standoff

“Once Upon a Time in the West” (1968)

Aside from the “Dollars” trilogy, Sergio Leone also directed other influential films including “Once Upon a Time in the West.” This Western begins with a sequence full of dramatic intensity. As several hitmen wait for their target, the director lets viewers soak in the setting. Every movement, sound, and character beat gives you a glimpse into this universe. The scene emphasizes action over dialogue as you wait for the violent conclusion. Charles Bronson’s character, Harmonica, finally emerges with his cool energy and steely gaze, leading to a satisfying shootout. Leone shows off his mastery of silence, mood, and style as he beckons people into this world.

#21: From the Cemetery to the Beach

“Saving Private Ryan” (1998)

The first sequence of “Saving Private Ryan” is an epic piece of filmmaking. An older James Ryan visits Captain John H. Miller’s grave at the NormandyAmerican Cemetery, setting up a flashback to June 6, 1944. Director Steven Spielberg whisks viewers from the somber prologue to the intensity of Omaha Beach. Captain Miller and his soldiers are thrust into dangerous territory, fighting through machine gun fire and explosions from artillery. Spielberg barely lets you take a breath as the men battle their way through a visually-stunning scene. It’s among the most harrowing depictions of warfare ever put to film, giving audiences an unprecedented look at World War II combat.

#20: Casey Gets a Call

“Scream” (1996)

Wes Craven created something special with the first "Scream," and the opening scene encapsulates the movie's brilliance. During a seemingly ordinary night, Casey gets a phone call from a rather strange person, one who wants to talk about horror flicks and has a deranged sense of humor. "Scream" expertly balances laughs and fear, serving as a satirization of slasher cliches while still being an effective and scary entry in the horror genre. Casey's back and forth with Ghostface establishes the film's tone, and casting a known actress like Drew Barrymore as the first victim makes it clear that nobody’s safe.

#19: Theo Buys Coffee

“Children of Men” (2006)

In just two minutes, Alfonso Cuarón's sci-fi masterpiece establishes its unique premise, the protagonist's apathetic attitude, and the social climate that defines its world. As a TV in a cafe covers a news broadcast about the death of the youngest person alive in an infertile world, Theo pushes through the stunned crowd to buy a cup of coffee. This excellent scene leads to the cafeteria's bombing, a moment shot with such realism that it might cause someone to forget they are watching a sci-fi flick. "Children of Men" is a work of art, and its opening scene is its first masterful stroke.

#18: The Job

“Drive” (2011)

A car chase is a pretty conventional way to start an action or heist film, but "Drive" is anything but conventional. Lasting for roughly 10 minutes, "Drive" opens with the Driver going out on a job that threatens to go wrong but never actually does. This sequence is nearly exclusively shown from the point of view of the protagonist, turning a common action set-piece into a character piece that establishes the Driver's personal rules. From the five-minute window to the perfectly executed escape plan, this opening scene is all about control, something the rest of the movie gradually wrestles away from the Driver's grasp.

#17: A Night Out

“American Psycho” (2000)

Who doesn't appreciate a good dinner and a bit of dancing after a hard day's work? Patrick Bateman is the ultimate boy scout, a dignified gentleman willing to put his colleagues in their place if they were, for example, to be offensive. At least, that's what "American Psycho's" first scene indicates, although Bateman quickly reveals that this straight-laced attitude is nothing more than an act. Starting with the restaurant scene and ending with the protagonist's morning routine, "American Psycho" launches with a captivating opening few minutes that underline the many facades of Bateman's mask.

#16: The Floating Body

“Sunset Boulevard” (1950)

A classic noir about Hollywood, "Sunset Boulevard" starts by giving away the ending. The credits roll seamlessly into the opening scene as police cars race through Sunset Boulevard towards the house of a celebrity. A narrator comes in to explain the situation; that an unimportant man has been found dead in the pool. A narrator and a corpse might not be all that unique of an opening for a film noir, but "Sunset Boulevard" uses this familiarity to its advantage by flipping the script halfway through. Franz Waxman's score is also fantastic.

#15: Anton Chigurh’s Arrest

“No Country for Old Men” (2007)

The Coen brothers have had more than a few memorable openings, but "No Country for Old Men" just sticks with you like nothing else. Starting with a monologue from Sheriff Ed Tom Bell that reminisces about the past before expressing a fear of the unknown, the dialogue is unsurprisingly riveting. In the meantime, Anton Chigurh is taken into custody, an arrest that proves to be less than beneficial for the deputy. In the opening five minutes, Chigurh brutally kills two people and also unleashes one of the creepiest smiles in cinematic history.

#14: War of the Last Alliance

“The Lord of the Rings: The Fellowship of the Ring” (2001)

Considering the short version of the "Lord of the Rings" trilogy clocks in at roughly nine hours, the opening scene really needed to hit it out of the park. "The Fellowship of the Ring" opens with the War of the Last Alliance, a sequence that establishes Middle-earth's main races, the power of the One Ring, and the threat posed by Sauron and his forces. For the longest time, "Lord of the Rings" was considered almost unadaptable, so this opening not only needed to bring up to speed the uninitiated but also showcase that the film will do justice to Tolkien's epic story. “The Two Towers” opens brilliantly as well.

#13: Choose Life (Or Not)

“Trainspotting” (1996)

An energetic and chaotic opening that sets the pace for the rest of the flick, Danny Boyle's "Trainspotting" is a trip right from the opening seconds. As Iggy Pop's "Lust for Life" blasts away, audiences are introduced to the charismatic Renton and his friends, a group from Edinburgh going nowhere fast. As Renton humorously but poignantly monologues about choosing life, family, and fixed-interest mortgage repayments, "Trainspotting" provides glimpses into the seedy world these characters exist in. Ewan McGregor is mesmerizing as Renton right from the get-go, instantly presenting a likable figure for audiences to grasp onto.

#12: Noisy Trunk

“Goodfellas” (1990)

Such a relatable opening scene; who hasn't experienced the frustration of having car trouble in the middle of the night? Jimmy, Henry, and Tommy find their peaceful drive disrupted by an unexplainable sound, although it doesn't take too long for the trio to figure out the issue. Martin Scorsese's "Goodfellas'' opens with a morbidly funny scene, and it also highlights the different personality traits that will come to define its three main gangsters. Ultimately, opening scenes are there to entice people to stick around for more, and "Goodfellas'" guarantees that nobody will be changing the channel.

#11: Alex & The Droogs at the Milkbar

“A Clockwork Orange” (1971)

Stanley Kubrick opens his most controversial film with a pullback that will trigger a wide range of feelings; curiosity, discomfort, and alarm. "A Clockwork Orange" tells the eccentric tale of Alex DeLarge, the violent leader of a British gang who spends his time harassing homeless people, drinking milk, and just generally being the worst. The first shot of the film is a close-up of the confrontational and arrogant Alex, before "A Clockwork Orange" pulls back to reveal the rest of the droogs and a setting that is anything but ordinary.

#10: Chrissie Goes for a Swim

“Jaws” (1975)

Steven Spielberg doesn't waste a single second in this classic. Right from the underwater opening shot set from Bruce the Shark's point of view, "Jaws" is a masterclass of suspense. Unaware of the beast that lurks beneath the waves, Chrissie heads out for a swim and quickly comes to realize that she's not alone. The music and build-up are perfect, culminating in a thrilling and terrifying scene that almost works as a standalone short film. Proving that sometimes less is more, "Jaws" creates magic without utilizing gore or showing the shark.

#9: The Dawn of Man

“2001: A Space Odyssey” (1968)

It takes guts to begin a sci-fi epic with a prehistoric prelude centering around a tribe of apes. "2001's" Dawn of Man sequence chronicles the hominids' discovery of an unexplainable monolith that triggers humanity's birth. Naturally, the first thing the apes create is a weapon. Impressive both visually and narratively, this sequence adds a sense of completeness to "2001: A Space Odyssey" and ties in beautifully with the events that transpire later in the film. "2001: A Space Odyssey" has aged incredibly well, and that extends to its impeccable and awe-inspiring opening scene.

#8: The End

“Apocalypse Now” (1979)

Francis Ford Coppola's Vietnam epic starts with a haunting scene that foreshadows the psychological and trippy journey the film is about to depart on. "Apocalypse Now" opens essentially with a dream sequence, albeit one heavily fueled by reality. Soundtracked hypnotically by The Doors' "The End," the mesmerizing napalm bombing of a forest is transposed with the image of an out-of-it Captain Willard in a hotel room in Saigon. Willard's 100-yard stare makes the destruction all that more unsettling, setting the stage for the darkness that will consume "Apocalypse Now" moving forward.

#7: One Little Girl

“The Matrix” (1999)

A sci-fi film with plenty of ideas and action, "The Matrix" incorporates both in its opening scene. The police show up at an abandoned building to arrest one little girl, an undertaking that proves a tad difficult when Trinity begins kicking some serious ass. Cool and innovative for the time, "The Matrix's" opening provides just enough context to keep people hooked while also sprinkling in a few hints that foreshadow later reveals. More than anything, this sequence brings up so many fascinating questions; who is Trinity? Why can she defy the laws of physics? Who is the One?

#6: A Disrespectful Request

“The Godfather” (1972)

At the wedding of his daughter, Vito Corleone sits in his dimly lit office listening to a request for vengeance from Amerigo Bonasera. Showing plenty of restraint, Francis Ford Coppola leaves Corleone in the shadows for a couple of minutes, reflecting the Don's role in society. Expertly directed and flawlessly acted, this scene is subtle, powerful, and revealing, and serves as a microcosm for the entire film. As the godfather speaks to Bonasera about justice and respect, Corleone showcases his influence, morality, and authority. "The Godfather" opens on a sublime note.

#5: Shoot Her!

“Jurassic Park” (1993)

Reminiscent of the opening in "Jaws," "Jurassic Park" whets the viewer's appetite by offering a glimpse of the mayhem to follow. The park's attempt to cage a Velociraptor goes awry when the dinosaur puts up a fight and grabs a bite to eat along the way. Utilizing great audio and tight editing, "Jurassic Park" shows more than enough in its opening scene to get people interested without spoiling the excitement by prematurely exposing a full dinosaur. Considering "Jurassic Park" has a pretty exposition-heavy first act, this scene does a lot of the heavy lifting in the film's early stages.

#4: Bond Jumps

“GoldenEye” (1995)

While 007 had been around for a few decades, by 1995, "GoldenEye" marked a new era for Bond, and the film needed to make a great first impression. Following a bit of misdirection with a plane, "GoldenEye" introduces the world to this version of Bond with a bungee jump off a dam. 007 is known for jaw-dropping opening stunts, but "GoldenEye" manages to hit the elusive sweet spot of being both over-the-top and also grounded. Before Bond's face is even shown, the agent's nerves of steel and courage are proven beyond a shadow of a doubt, and this jump is only the first moment in a long and thrilling sequence.

#3: Joker(s) Rob a Bank

“The Dark Knight” (2008)

Christopher Nolan's second entry in "The Dark Knight" trilogy is just as much of a Joker film as it’s about Bruce Wayne. The opening scene places the Clown Prince of Gotham at the forefront, as the Joker leads a squad of disposable criminals in a bank heist. Splendidly paced and culminating in a fun shootout, "The Dark Knight's" opening instantly establishes the Joker as a criminal genius with a penchant for chaos and a willingness to challenge Gotham's status quo. Joker is Batman's greatest enemy, and "The Dark Knight" shows that from its first scene.

#2: Chapter One

“Inglourious Basterds” (2009)

Whether talking about Madonna or robbing a diner, a Quentin Tarantino movie will always start in an attention-grabbing way. "Inglourious Basterds" achieves perfection in its opening scene as the SS officer Hans Landa interrogates a dairy farmer on whether he happens to be hiding any Jewish people. In this scene, Hans charmingly leads Perrier LaPadite on a charade while the officer casually reveals aspects of his psyche and ideals. A masterfully intense scene, Chapter One cements Hans as one of the best villains in cinema and achieves a high that the rest of the very good movie struggles to replicate.

#1: The Golden Idol

“Raiders of the Lost Ark” (1981)

Certain sequences are so good, they come to represent an entire genre. When someone pictures an "adventure film," they are likely to imagine Indy picking up a golden idol and running away from a boulder. Indiana Jones is an icon nowadays, and so much of that can be credited to "Raiders of the Lost Ark's" opening set-piece. With barely any exposition, the scene reveals that Indy is brave but not fearless, perceptive but not infallible, funny but serious, and simultaneously lucky and stupidly misfortunate. "Raiders" packs in all this awesomeness before the main plot even starts.

What movie scene initially hooked you in? Let us know in the comments!